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How traditional Indigenous education helped four lost children survive 40 days in the Amazon jungle

<p><a href="https://theconversation.com/profiles/eliran-arazi-1447346">Eliran Arazi</a>, <em><a href="https://theconversation.com/institutions/hebrew-university-of-jerusalem-855">Hebrew University of Jerusalem</a></em></p> <p>The discovery and rescue of <a href="https://www.reuters.com/world/americas/four-missing-colombian-children-found-alive-jungle-sources-2023-06-10/">four young Indigenous children</a>, 40 days after the aircraft they were travelling in crashed in the remote Colombian rainforest, was hailed in the international press as a “<a href="https://www.lemonde.fr/en/international/article/2023/06/11/miracle-in-the-jungle-colombia-celebrates-rescue-of-children-lost-in-amazon-rainforest_6030840_4.html">miracle in the jungle</a>”. But as an anthropologist who has spent more than a year living among the Andoque people in the region, <a href="https://www.academia.edu/100474974/Amazonian_visions_of_Visi%C3%B3n_Amazon%C3%ADa_Indigenous_Peoples_perspectives_on_a_forest_conservation_and_climate_programme_in_the_Colombian_Amazon">conducting ethnographic fieldwork</a>, I cannot simply label this as a miraculous event.</p> <p>At least, not a miracle in the conventional sense of the word. Rather, the survival and discovery of these children can be attributed to the profound knowledge of the intricate forest and the adaptive skills passed down through generations by Indigenous people.</p> <p>During the search for the children, I was in contact with Raquel Andoque, an elder <em>maloquera</em> (owner of a ceremonial longhouse), the sister of the children’s great-grandmother. She repeatedly expressed her unwavering belief the children would be found alive, citing the autonomy, astuteness and physical resilience of children in the region.</p> <p>Even before starting elementary school, children in this area accompany their parents and elder relatives in various activities such as gardening, fishing, navigating rivers, hunting and gathering honey and wild fruits. In this way the children acquire practical skills and knowledge, such as those demonstrated by Lesly, Soleiny, Tien and Cristin during their 40-day ordeal.</p> <p>Indigenous children typically learn from an early age how to open paths through dense vegetation, how to tell edible from non-edible fruits. They know how to find potable water, build rain shelters and set animal traps. They can identify animal footprints and scents – and avoid predators such as jaguars and snakes lurking in the woods.</p> <p>Amazonian children typically lack access to the sort of commercialised toys and games that children in the cities grow up with. So they become adept tree climbers and engage in play that teaches them about adult tools made from natural materials, such as oars or axes. This nurtures their understanding of physical activities and helps them learn which plants serve specific purposes.</p> <figure class="align-center "><img src="https://images.theconversation.com/files/532019/original/file-20230614-31-hrdd5z.png?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/532019/original/file-20230614-31-hrdd5z.png?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=600&amp;h=450&amp;fit=crop&amp;dpr=1 600w, https://images.theconversation.com/files/532019/original/file-20230614-31-hrdd5z.png?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=600&amp;h=450&amp;fit=crop&amp;dpr=2 1200w, https://images.theconversation.com/files/532019/original/file-20230614-31-hrdd5z.png?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=600&amp;h=450&amp;fit=crop&amp;dpr=3 1800w, https://images.theconversation.com/files/532019/original/file-20230614-31-hrdd5z.png?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;h=566&amp;fit=crop&amp;dpr=1 754w, https://images.theconversation.com/files/532019/original/file-20230614-31-hrdd5z.png?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=754&amp;h=566&amp;fit=crop&amp;dpr=2 1508w, https://images.theconversation.com/files/532019/original/file-20230614-31-hrdd5z.png?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=754&amp;h=566&amp;fit=crop&amp;dpr=3 2262w" alt="A youg girl holding up an insect as her family works alongside" /><figcaption><span class="caption">A local Indigenous girl on an excursion to gather edible larvae.</span> <span class="attribution"><span class="source">Image courtesy of Eliran Arazi</span>, <span class="license">Author provided</span></span></figcaption></figure> <p>Activities that most western children would be shielded from – handling, skinning and butchering game animals, for example – provide invaluable zoology lessons and arguably foster emotional resilience.</p> <h2>Survival skills</h2> <p>When they accompany their parents and relatives on excursions in the jungle, Indigenous children learn how to navigate a forest’s dense vegetation by following the location of the sun in the sky.</p> <figure class="align-left zoomable"><a href="https://images.theconversation.com/files/532012/original/file-20230614-29-ii5s0u.png?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=1000&amp;fit=clip"><img src="https://images.theconversation.com/files/532012/original/file-20230614-29-ii5s0u.png?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=237&amp;fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/532012/original/file-20230614-29-ii5s0u.png?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=600&amp;h=551&amp;fit=crop&amp;dpr=1 600w, https://images.theconversation.com/files/532012/original/file-20230614-29-ii5s0u.png?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=600&amp;h=551&amp;fit=crop&amp;dpr=2 1200w, https://images.theconversation.com/files/532012/original/file-20230614-29-ii5s0u.png?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=600&amp;h=551&amp;fit=crop&amp;dpr=3 1800w, https://images.theconversation.com/files/532012/original/file-20230614-29-ii5s0u.png?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;h=692&amp;fit=crop&amp;dpr=1 754w, https://images.theconversation.com/files/532012/original/file-20230614-29-ii5s0u.png?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=754&amp;h=692&amp;fit=crop&amp;dpr=2 1508w, https://images.theconversation.com/files/532012/original/file-20230614-29-ii5s0u.png?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=754&amp;h=692&amp;fit=crop&amp;dpr=3 2262w" alt="Map of the Middle Caqueta region of Colombia." /></a><figcaption><span class="caption">Map showing where in Colombia the four lost children are from.</span> <span class="attribution"><span class="source"> Gadiel Levi</span>, <span class="license">Author provided</span></span></figcaption></figure> <p>Since the large rivers in most parts of the Amazon flow in a direction opposite to that of the sun, people can orient themselves towards those main rivers.</p> <p>The trail of footprints and objects left by the four children revealed their general progression towards the Apaporis River, where they may have hoped to be spotted.</p> <p>The children would also have learned from their parents and elders about edible plans and flowers – where they can be found. And also the interrelationship between plants, so that where a certain tree is, you can find mushrooms, or small animals that can be trapped and eaten.</p> <h2>Stories, songs and myths</h2> <p>Knowledge embedded in mythic stories passed down by parents and grandparents is another invaluable resource for navigating the forest. These stories depict animals as fully sentient beings, engaging in seduction, mischief, providing sustenance, or even saving each other’s lives.</p> <p>While these episodes may seem incomprehensible to non-Indigenous audiences, they actually encapsulate the intricate interrelations among the forest’s countless non-human inhabitants. Indigenous knowledge focuses on the interrelationships between humans, plants and animals and how they can come together to preserve the environment and prevent irreversible ecological harm.</p> <p>This sophisticated knowledge has been developed over millennia during which Indigenous people not only adapted to their forest territories but actively shaped them. It is deeply ingrained knowledge that local indigenous people are taught from early childhood so that it becomes second nature to them.</p> <p>It has become part of the culture of cultivating and harvesting crops, something infants and children are introduced to, as well as knowledge of all sort of different food sources and types of bush meat.</p> <h2>Looking after each other</h2> <p>One of the aspects of this “miraculous” story that people in the west have marvelled over is how, after the death of the children’s mother, the 13-year-old Lesly managed to take care of her younger siblings, including Cristin, who was only 11 months old at the time the aircraft went down.</p> <figure class="align-center "><img src="https://images.theconversation.com/files/532007/original/file-20230614-19-7q92j0.jpeg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/532007/original/file-20230614-19-7q92j0.jpeg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=600&amp;h=450&amp;fit=crop&amp;dpr=1 600w, https://images.theconversation.com/files/532007/original/file-20230614-19-7q92j0.jpeg?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=600&amp;h=450&amp;fit=crop&amp;dpr=2 1200w, https://images.theconversation.com/files/532007/original/file-20230614-19-7q92j0.jpeg?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=600&amp;h=450&amp;fit=crop&amp;dpr=3 1800w, https://images.theconversation.com/files/532007/original/file-20230614-19-7q92j0.jpeg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;h=566&amp;fit=crop&amp;dpr=1 754w, https://images.theconversation.com/files/532007/original/file-20230614-19-7q92j0.jpeg?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=754&amp;h=566&amp;fit=crop&amp;dpr=2 1508w, https://images.theconversation.com/files/532007/original/file-20230614-19-7q92j0.jpeg?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=754&amp;h=566&amp;fit=crop&amp;dpr=3 2262w" alt="Three Indigenous people in western clothes stood under trees in front of a wide building." /><figcaption><span class="caption">Iris Andoque Macuna with her brother Nestor Andoque and brother-in-law Faustino Fiagama after the two men returned from the search team.</span> <span class="attribution"><span class="source">Iris Andoque Macuna.</span>, <span class="license">Author provided</span></span></figcaption></figure> <p>But in Indigenous families, elder sisters are expected to act as surrogate mothers to their younger relatives from an early age. Iris Andoke Macuna, a distant relative of the family, told me:</p> <blockquote> <p>To some whites [non-Indigenous people], it seems like a bad thing that we take our children to work in the garden, and that we let girls carry their brothers and take care of them. But for us, it’s a good thing, our children are independent, this is why Lesly could take care of her brothers during all this time. It toughened her, and she learned what her brothers need.</p> </blockquote> <h2>The spiritual side</h2> <p>For 40 days and nights, while the four children were lost, elders and shamans performed rituals based on traditional beliefs that involve human relationships with entities known as <em>dueños</em> (owners) in Spanish and by various names in native languages (such as <em>i'bo ño̰e</em>, meaning “persons of there” in Andoque).</p> <p>These owners are believed to be the protective spirits of the plants and animals that live in the forests. Children are introduced to these powerful owners in name-giving ceremonies, which ensure that these spirits recognise and acknowledge relationship to the territory and their entitlement to prosper on it.</p> <figure class="align-center "><img src="https://images.theconversation.com/files/531997/original/file-20230614-15389-7c6oly.JPG?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/531997/original/file-20230614-15389-7c6oly.JPG?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=600&amp;h=400&amp;fit=crop&amp;dpr=1 600w, https://images.theconversation.com/files/531997/original/file-20230614-15389-7c6oly.JPG?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=600&amp;h=400&amp;fit=crop&amp;dpr=2 1200w, https://images.theconversation.com/files/531997/original/file-20230614-15389-7c6oly.JPG?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=600&amp;h=400&amp;fit=crop&amp;dpr=3 1800w, https://images.theconversation.com/files/531997/original/file-20230614-15389-7c6oly.JPG?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;h=503&amp;fit=crop&amp;dpr=1 754w, https://images.theconversation.com/files/531997/original/file-20230614-15389-7c6oly.JPG?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=754&amp;h=503&amp;fit=crop&amp;dpr=2 1508w, https://images.theconversation.com/files/531997/original/file-20230614-15389-7c6oly.JPG?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=754&amp;h=503&amp;fit=crop&amp;dpr=3 2262w" alt="Woman in pink t-shirt sat on chair inside." /><figcaption><span class="caption">Raquel Andoke, a relative of the missing children and friend of the author.</span> <span class="attribution"><span class="source">Image courtesy of Eliran Arazi</span>, <span class="license">Author provided</span></span></figcaption></figure> <p>During the search for the missing children, elders conducted dialogues and negotiations with these entities in their ceremonial houses (<em>malocas</em>) throughout the <a href="https://www.researchgate.net/figure/Middle-and-Lower-Caqueta-River-region-State-of-Amazonas-Colombia-Map-from_fig1_255580310">Middle Caquetá</a> and in other Indigenous communities that consider the crash site part of their ancestral territory. Raquel explained to me:</p> <blockquote> <p>The shamans communicate with the sacred sites. They offer coca and tobacco to the spirits and say: “Take this and give me my grandchildren back. They are mine, not yours.”</p> </blockquote> <p>These beliefs and practices hold significant meaning for my friends in the Middle Caquetá, who firmly attribute the children’s survival to these spiritual processes rather than the technological means employed by the Colombian army rescue teams.</p> <p>It may be challenging for non-Indigenous people to embrace these traditional ideas. But these beliefs would have instilled in the children the faith and emotional fortitude crucial for persevering in the struggle for survival. And it would have encouraged the Indigenous people searching for them not to give up hope.</p> <p>The children knew that their fate did not lie in dying in the forest, and that their grandparents and shamans would move heaven and earth to bring them back home alive.</p> <p>Regrettably, this traditional knowledge that has enabled Indigenous people to not only survive but thrive in the Amazon for millennia is under threat. Increasing land encroachment for agribusiness, mining, and illicit activities as well as state neglect and interventions without Indigenous consent have left these peoples vulnerable.</p> <p>It is jeopardising the very foundations of life where this knowledge is embedded, the territories that serve as its bedrock, and the people themselves who preserve, develop, and transmit this knowledge.</p> <p>Preserving this invaluable knowledge and the skills that bring miracles to life is imperative. We must not allow them to wither away.<!-- Below is The Conversation's page counter tag. Please DO NOT REMOVE. --><img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/207762/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /><!-- End of code. If you don't see any code above, please get new code from the Advanced tab after you click the republish button. The page counter does not collect any personal data. More info: https://theconversation.com/republishing-guidelines --></p> <p><a href="https://theconversation.com/profiles/eliran-arazi-1447346">Eliran Arazi</a>, PhD researcher in Anthropology, Hebrew University of Jerusalem and the School for Advanced Studies in the Social Sciences (Paris)., <em><a href="https://theconversation.com/institutions/hebrew-university-of-jerusalem-855">Hebrew University of Jerusalem</a></em></p> <p><em>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/how-traditional-indigenous-education-helped-four-lost-children-survive-40-days-in-the-amazon-jungle-207762">original article</a>.</em></p> <p><em>Images: Getty</em></p>

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12 red flags you’re about to get a bad haircut

<p><strong>Hair beware</strong></p> <p>There’s nothing quite like walking out of the salon with a haircut you love. A new ‘do can boost your confidence and put a little pep in your step. But a bad haircut? Ugh. That can leave you shaking your head and wondering what the heck just went wrong.</p> <p>Going to a new salon can leave you particularly vulnerable to getting a bad haircut. After all, you’ve never seen the stylist and don’t know if they’ll be a good fit for you. What if they make a ton of hairstyle mistakes? Or promise a hairstyle that’ll make you look younger but deliver a ‘do better suited to your granny? “A bad haircut or colour can ruin six months or more of your confidence,” affirms stylist, Natalie Palomino.</p> <p>Because of this, one of the very best hairstylist secrets you can learn is how to spot the red flags that you are about to get a bad haircut. Here, experts share the tell-tale signs you may be in for a bad cut (or colour!).</p> <p><strong>The salon is dirty</strong></p> <p>If you walked into a doctor’s office and it was filthy, you probably wouldn’t feel super comfortable getting care there, right? The same thinking should apply to a hair salon. “If a salon looks dirty or unkept, it is concerning,” says celebrity hairstylist Shantise Michelle. “This could indicate that they don’t prioritise cleanliness and sanitation, which can be a health risk.”</p> <p>So what constitutes ‘dirty’ at a hair salon? Michelle points out that seeing a few hair clippings on the ground, especially if a client is mid-cut, is totally normal. What’s not? Tools that look dirty, lots of dust or piles of hair that haven’t been cleaned up even after clients leave.</p> <p><strong>The stylist won't share examples of past work</strong></p> <p>Maybe you’re hoping to learn how to grow out grey hair gracefully. Or maybe you’re looking for hairstyles for women over 40. No matter your goal, it’s super helpful if new stylists are able to show you examples of their work. </p> <p>If they don’t post client cuts on social media, ask them to share pictures of previous cuts they’ve done. “Not being able to show you examples of their work is a red flag,” says Michelle. Even if they are relatively green, stylists should have examples from their training.</p> <p><strong>The stylist doesn't ask for a hair history</strong></p> <p>Before a stylist gives you a cut for the first time, it’s important that they get some key info from you. Without this assessment, you may end up with a cut or colour you can’t stand. “Before a bowl of colour is mixed, a stylist should know if you’ve used boxed dye recently or any other treatments you’ve recently had,” says Palomino. “If you are getting a cut, they should know what your normal hairstyling routine looks like.”</p> <p>This is crucial because it helps them tailor your cut to your needs. For example, a cut that will require lots of blow-dry time to look good is a no-go if you never have time to blow-dry your hair.</p> <p>Basic questions surrounding your hair history include how you normally style your hair and if you’ve had any recent treatments (think: relaxing your strands or a perm). If you’re going in for a colour, the stylist should ask when you last coloured your hair and how, as well as any other hair treatments you’ve recently had.</p> <p><strong>The stylist refuses to give an opinion</strong></p> <p>It’s your hair, sure, but your stylist is the professional. So if you ask for their opinion, they should give it. If you ask what they think and they don’t say much, be wary. “While this doesn’t necessarily mean you are seeing a bad stylist, it may be the sign of someone who is green and doesn’t know how to interact,” says Palomino. A stylist should have a general idea of what cuts work for different hair textures, face shapes and lifestyles, she says. If they don’t seem to know these things, you should be concerned.</p> <p>In an ideal world, you should feel like your stylist is a collaborator on your journey to great hair. You know your hair and what will work for you, and they have professional expertise and know things like the best blow-dryer for straight versus curly hair, or what looks good on round versus long faces. They should offer up this info to help guide you when you’re deciding the fate of your strands.</p> <p><strong>The stylist is pushy</strong></p> <p>You want someone to weigh in, not boss you around. After all, you have to live with the end results. “You should never feel bullied into getting a certain type of cut,” says Michelle. “A good hairstylist will listen to your needs and preferences and make recommendations based on that ­ – but not force you into something you don’t want.”</p> <p>Getting to the perfect cut for you should be a bit of a give-and-take. For example, if you want to go short, start by telling the stylist that. Then they can suggest a short cut that would flatter your face shape. From there, you can give feedback on their suggestion.</p> <p>Oh, and hairdressers shouldn’t be pushy about buying products either. If you like something they use and want to purchase it from the salon after your appointment, great. If you don’t have that in your budget, they shouldn’t make you feel like you have to.</p> <p><strong>The salon is always empty</strong></p> <p>If the salon is regularly a ghost town or constantly offers deep discounts, should it worry you? You bet. “If the salon is brand new, they may still be getting their name out there, and it’s not a reason to run away,” says Palomino. The same applies to a salon that has recently reopened after being closed for the pandemic or for another reason.</p> <p>“However, if the salon has been around for a while and is always empty, then you may want to look elsewhere,” she says. One way to suss this out? Rather than making an online appointment or calling a new salon, try stopping by on a Saturday – which tends to be the busiest day. This way, as you make your appointment, you’ll be able to get a feel for the salon and see how lively it is.</p> <p><strong>The salon has lots of bad reviews</strong></p> <p>Imagine looking up a restaurant before having dinner there and seeing a bunch of reviews that mention finding hair in the food or seeing lots of roaches. You’d find a new place to eat, wouldn’t you? Use the same logic when considering a new stylist. Look up the salon on Yelp or Google and give the reviews a good read.</p> <p>“If a hairstylist has a ton of bad online reviews, it could be a red flag and should be a concern,” says Michelle. “However, it’s important to read the reviews carefully and consider the context before making a decision.” If all the reviews give the same bad feedback (like the cut was a disappointment or the employees were rude), you can probably trust them. If there are a handful of poor reviews that seem more situational (perhaps someone is mad that they showed up late and weren’t accommodated), take those with a grain of salt.</p> <p><strong>An assistant takes you straight to a shampoo station</strong></p> <p>If you arrive at a new salon and an assistant immediately whisks you to the shampoo station, it should give you pause. “A stylist should always look at your dry hair when you come in, because this gives them a better idea of how your hair naturally behaves,” says Michelle. “This information allows them to make more informed recommendations.”</p> <p>For most stylists, a visit flows like this: they have you come right in and sit in their chair. They look at your hair and have a short consultation about what you’re looking for. Some stylists may even cut a bit of your hair while it’s dry – this is most common if you’re cutting a large amount of hair. In this case, they may take off some length before you have your strands washed. </p> <p>From there, it’s off to the shampoo station. (Oh, and a really good stylist will customise the shampoo for your hair needs. So if your hair is thin, they’ll use a thickening shampoo; if it’s dyed, they’ll use a shampoo for colour-treated hair – you get the idea.) Once you’ve been sudsed up, you’ll head back to the stylist’s station for shaping and the actual cut.</p> <p><strong>The stylist's hair looks worse for wear</strong></p> <p>A stylist’s hair is a bit of an advertisement. “If your hairstylist has really damaged hair, it could be a red flag, because it could indicate that they don’t know how to take care of their own hair properly,” says Michelle. “This could reflect how they’d mistreat your hair.” One thing to keep in mind: You should be looking at the condition of their hair – not the actual style. </p> <p>Dry, brittle, damaged tresses should worry you. They have access to great hair masks for damaged hair and other tricks that should help them avoid an unkempt appearance. So if their hair is looking not-so-great, it’s dicey. But not liking their cut or colour isn’t the same thing. You may just have different style preferences, and that’s totally OK.</p> <p><strong>The stylist's nervousness makes you nervous</strong></p> <p>Accidentally dropping a brush? No big deal. Anxiously looking at a pair of scissors and biting their lip every time they make a snip? Yikes. “If your stylist seems nervous or unsure of how to use tools, they may not be properly trained,” says Michelle.</p> <p>As they move about their station, look for signs that they are at ease. If they’re using a tool like a hair-straightener brush, they should look like they do it all the time. The same goes for getting you set up in your chair. Clipping on the cape should be second nature for them, as should raising and lowering the chair.</p> <p><strong>The stylist doesn't solicit feedback</strong></p> <p>Once your stylist has finished up, they should initiate another consultation, turning you toward the mirror, and then giving you a handheld mirror so you can look at the back of your head. “By asking what you think of the result, it helps ensure that you both are on the same page and that you are happy with the results,” says Michelle.</p> <p>But what if you aren’t thrilled with the outcome or think it’s a flat-out bad haircut? That’s what makes this step even more important. You should feel free to speak up about what’s not working for you. In turn, they should offer suggestions on how they could alter the cut so you like it more. Michelle says no good stylist should bristle at this kind of feedback.</p> <p><strong>The stylist doesn't discuss aftercare</strong></p> <p>At the end of your appointment, a good stylist should discuss aftercare with you. This information will be customised to your hair’s needs and your cut. For example, they may suggest the best shampoo and conditioner for your tresses or give you a few tips on how to use a curling iron to recreate the waves they added to your style.</p> <p>“How you treat your hair at home has a dramatic impact on the health of your hair,” Palomino points out. So when a stylist shares this kind of info, it’s a sign that they’re really looking out for you and your strands.</p> <p><em>Image credits: Getty Images</em></p> <p><em>This article originally appeared on <a href="https://www.readersdigest.co.nz/healthsmart/beauty/hair-and-nails/12-red-flags-youre-about-to-get-a-bad-haircut?pages=1" target="_blank" rel="noopener">Reader's Digest</a>.</em></p>

Beauty & Style

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Indigenous artist seeking white Australian to donate their “future deceased body” to an art installation

<p dir="ltr">An Indigenous artist has put a call out for Australians of “British descent” to donate their “future deceased body” to an art installation. </p> <p dir="ltr">Nathan Maynard, a well known Palawa artist and playwright, put an advertisement for the unusual request in the weekend edition of The Age newspaper.</p> <p dir="ltr">Maynard signed the bizarre request as a “palawa” artist: one of the terms First Nations people from Tasmania use when referring to themselves.  </p> <p dir="ltr">“Palawa artist wanting to find an Australian of British descent who is willing to donate their future deceased body to an art installation,” the notice read. </p> <p dir="ltr">“The work will speak to sacrifice for past sins perpetrated against the palawa. Potential applicants should see this opportunity as an honour.”</p> <p dir="ltr">“The body and memory of the successful applicant will be treated with the utmost respect at all stages of the project.”</p> <p dir="ltr">The call-out was quick to spark backlash when it was reposted on social media, with one writing, “You can’t just obtain bodies for display in newspapers now. This is very bizarre on multiple levels.”</p> <p dir="ltr">Others questioned the legality of the request, with one person writing, “I dunno that this would be legal, tampering with a corpse is a crime! You can donate your body to medical science, but I don’t think this.” </p> <p dir="ltr">Another wrote, “Borderline psychotic, definitely completely illegal.”</p> <p dir="ltr">Despite the criticism, Mr Maynard told Daily Mail Australia that since the notice went to print, he has received half a dozen applications for their body to be used in the installation in November. </p> <p dir="ltr">The artist said if white Australians are upset by the request, they should ask themselves why they didn't have the same reaction to the mass murder of Aboriginal people. </p> <p dir="ltr">“If you’re not an Aboriginal person and you’re upset by this, I think you should ask yourself why you’re not upset that there is still First Nations remains that have been stolen from their people, stolen from their country in institutions all around the world that are still not repatriated to their own communities,” he said.</p> <p dir="ltr">Nathan said the motivation behind his installation revolves around the fact that thousands of First Nations people were killed by colonists, with their remains being sent overseas to be displayed in institutions and museums without a proper ceremony. </p> <p dir="ltr">“So many Aboriginal people's remains are still overseas. People are trying to bring their ancestors home and they are being denied that right,” Mr Maynard said. </p> <p dir="ltr">“Human bodies are very sacred and they should be treated with respect.”</p> <p dir="ltr">“Whitefellas obviously don't know how to handle remains with respect, so I'm going to show them how,” he said. </p> <p dir="ltr">The artwork has already received support from the state-funded Tasmanian Museum and Gallery and the Hobart City Council, which has donated $15,000 to the unusual installation.</p> <p dir="ltr">The artwork has been commissioned to appear as part of an exhibition for the popular Hobart Current biennial exhibition in November 2023. </p> <p dir="ltr"><em>Image credits: Facebook / The Age</em></p>

Music

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New flag furore erupts as Djokovic crushes Aus Open final

<p>Novak Djokovic has won the Australian Open in convincing fashion to equal Rafael Nadal's Grand Slam record, a year after he was deported over his COVID vaccination status.</p> <p>The Serbian star defeated Greek player Stefanos Tsitsipas in three sets in the final in Melbourne on Sunday, making it Djokovic's 10th Australian Open title – equal to Nadal's Grand Slam record of 22 men's singles titles.</p> <p>However, during the broadcast an eagle-eyed viewer couldn’t help but single out the disturbing appearance of a flag bearing a controversial far-right symbol, waved by a Djokovic supporter.</p> <p>“Why am I seeing a Chetnik flag amongst the Serbian crowd at the Tsitsipas vs Djokovic match?” wrote Twitter user Sophie Mak. “Are ultra fascist symbols allowed in the Australian Open now?”</p> <p>The Chetniks were paramilitary ultranationalists who committed war crimes during WWII. Respected tennis journo Ben Rothenberg then responded by calling for future Australian Opens to be completely flag free if security cannot control such incidents.</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">I really think they need to make the 2024 <a href="https://twitter.com/hashtag/AusOpen?src=hash&amp;ref_src=twsrc%5Etfw">#AusOpen</a> a flag-free zone if their security repeatedly can't figure this stuff out.</p> <p>Tournament security has been pretty abysmal (though we haven't had the ~annual court invader during the men's final yet). <a href="https://t.co/Mztq6NstPg">https://t.co/Mztq6NstPg</a></p> <p>— Ben Rothenberg (@BenRothenberg) <a href="https://twitter.com/BenRothenberg/status/1619649716932988929?ref_src=twsrc%5Etfw">January 29, 2023</a></p></blockquote> <p>“Tournament security has been pretty abysmal (though we haven’t had the ~annual court invader during the men’s final yet),” added Rothenberg.</p> <p>Tennis Australia were moved to introduce a complete ban on Russian and Belarusian flags earlier in the Australian Open after a Belarusian flag was spotted being waved during a Ukrainian’s match. </p> <p>Djokovic’s father Srbjan was then caught up in a controversy when he inadvertently posed alongside pro-Vladimir Putin protesters outside the stadium who were holding up a flag with the Russian leader’s face on it. Srbjan then elected not to attend the semi-final nor the final of the tournament in which his son was victorious for a record tenth time.</p> <p><em>Images: Twitter</em></p>

News

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Locking up kids has serious mental health impacts and contributes to further reoffending

<p><em>This article contains information on violence experienced by First Nations young people in the Australian carceral system. There are mentions of racist terms, and this piece also mentions self harm, trauma and suicide.</em></p> <p>The ABC Four Corners report “<a href="https://www.abc.net.au/news/2022-11-14/locking-up-kids:-australias-failure-to-protect/101652954" target="_blank" rel="noopener">Locking up Kids</a>” detailed the horrific conditions for young Aboriginal people in the juvenile justice system in Western Australia.</p> <p>The report was nothing new. In 2016, <a href="https://www.abc.net.au/news/2016-07-25/australias-shame-promo/7649462" target="_blank" rel="noopener">Four Corners</a> detailed the brutalisation of Aboriginal people in the Northern Territory’s Don Dale Youth Detention Centre, in its episode “Australia’s Shame”. Also in 2016, <a href="https://www.amnesty.org.au/amnesty-international-welcomes-queensland-youth-detention-review/" target="_blank" rel="noopener">Amnesty International</a> detailed the abuse children were receiving in Queensland’s juvenile detention facilities.</p> <p>Children should be playing, swimming, running and exploring life. They do not belong behind bars. Yet, on any given day in 2020-21, an average of <a href="https://www.aihw.gov.au/reports/youth-justice/youth-justice-in-australia-2020-21/contents/summary" target="_blank" rel="noopener">4,695</a> young people were incarcerated in Australia. Most of the young people incarcerated are Aboriginal and Torres Strait Islander.</p> <p>Despite Aboriginal and Torres Strait Islander young people in WA making up just <a href="https://www.aihw.gov.au/reports/youth-justice/youth-justice-in-australia-2020-21/contents/state-and-territory-fact-sheets/western-australia" target="_blank" rel="noopener">6.7%</a> of the population, they account for <a href="https://www.oics.wa.gov.au/wp-content/uploads/2021/05/Banksia-Hill-2020-002.pdf" target="_blank" rel="noopener">more than 70%</a> of youth locked up in Perth’s Banksia Hill Juvenile Detention Centre.</p> <p><a href="https://search.informit.org/doi/abs/10.3316/agispt.20211109056541" target="_blank" rel="noopener">The reasons</a> so many Aboriginal and Torres Strait Islander peoples are detained are linked to the impacts of colonisation, such as intergenerational trauma, ongoing racism, discrimination, and unresolved issues related to self-determination.</p> <p>The Four Corners documentary alleged children in detention were exposed to abuse, torture, solitary confinement and other degrading treatment such as “folding”, which involves bending a person’s legs behind them before sitting on them – we saw a grown man sitting on a child’s legs in this way in the documentary.</p> <p>The documentary also found Aboriginal young people were more likely to be held in solitary confinement, leading to the young people feeling helpless. Racism was also used as a form of abuse, with security calling the young detainees apes and monkeys. One of the young men detained at Banksia Hill expressed the treatment he received made him consider taking his own life.</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">No action taken against Don Dale guards over 'excessive force' in fresh Four Corners vision <a href="https://t.co/RdJgN8vQhu">https://t.co/RdJgN8vQhu</a></p> <p>— Sarah Collard (@Sarah_Collard_) <a href="https://twitter.com/Sarah_Collard_/status/1592451372808802305?ref_src=twsrc%5Etfw">November 15, 2022</a></p></blockquote> <p><strong>How does incarceration impact young people’s mental health?</strong></p> <p>Many young people enter youth detention with pre-existing neurocognitive impairments (such as <a href="https://theconversation.com/indigenous-youth-with-foetal-alcohol-spectrum-disorder-need-indigenous-run-alternatives-to-prison-56615" target="_blank" rel="noopener">foetal alcohol spectrum disorder</a>), trauma, and poor mental health. More than <a href="https://journals.sagepub.com/doi/abs/10.1080/10398560902948696" target="_blank" rel="noopener">80%</a> of Aboriginal and Torres Strait Islander young people in a Queensland detention centre reported mental health problems.</p> <p>Data from the Australian Institute of Health and Welfare revealed that more than <a href="https://www.aihw.gov.au/reports/youth-justice/young-people-in-child-protection/summary" target="_blank" rel="noopener">30%</a> of young people in detention were survivors of abuse or neglect. Rather than supporting the most vulnerable within our community, the Australian justice system is <a href="https://search.informit.org/doi/abs/10.3316/agispt.20211109056541" target="_blank" rel="noopener">imprisoning traumatised</a> and often developmentally compromised young people.</p> <p><a href="https://reader.elsevier.com/reader/sd/pii/S027273581300010X?token=9CBCD682BF76BBE308B2073C2A3980D63745C157813CAC79F171AA4577C849EC40D0B848B6DB0D009AFACC05B8BC6185&amp;originRegion=us-east-1&amp;originCreation=20221116031322" target="_blank" rel="noopener">Research</a> has shown pre-existing mental health problems are likely exacerbated by experiences during incarceration, such as isolation, boredom and victimisation.</p> <p>This inhumane treatment brings about retraumatisation of the effects of colonisation and racism, with feelings of <a href="https://www.parliament.vic.gov.au/images/stories/committees/SCLSI/Youth_Justice_System/Submissions/Submission_44-Parkville_College.pdf" target="_blank" rel="noopener">hopelessness</a>, worthlessness and <a href="https://www.aph.gov.au/Parliamentary_Business/Committees/Senate/Community_Affairs/completed_inquiries/2004-07/inst_care/report2/c06" target="_blank" rel="noopener">low self-esteem</a>.</p> <p>Youth detention is also associated with an <a href="https://www.ranzcp.org/news-policy/news/detention-of-children-in-adult-prisons-must-stop#:%7E:text='Youth%20detention%20is%20associated%20with,substance%20use%2C%20and%20behavioural%20disorders." target="_blank" rel="noopener">increased risk</a> of suicide, psychiatric disorders, and drug and alcohol abuse.</p> <p>Locking young people up during their <a href="https://www.cypp.unsw.edu.au/sites/ypp.unsw.edu.au/files/Cunneen%20%282017%29%20Arguments%20for%20raising%20the%20minimum%20age%20of%20criminal%20responsibility.pdf" target="_blank" rel="noopener">crucial years</a> of development also has long-term impacts. These include poor emotional development, poor education outcomes, and worse mental health <a href="https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5260153/" target="_blank" rel="noopener">in adulthood</a>. As adults, post-release Aboriginal and Torres Strait Islander peoples are <a href="https://onlinelibrary.wiley.com/doi/pdf/10.1111/j.1467-842X.2004.tb00629.x" target="_blank" rel="noopener">ten times</a> more likely to die than the general population, with suicide the leading cause of death.</p> <p>You don’t have to look far to see the devastating impacts of incarceration on mental health. Just last year, there were <a href="https://www.parliament.wa.gov.au/Hansard/hansard.nsf/0/A4A8FAAE33FDD6BE48258844001C7E29/$File/C41%20S1%2020220511%20All.pdf" target="_blank" rel="noopener">320 reports</a> of self-harm at Banksia Hill, WA’s only youth detention centre.</p> <p><strong>Locking up kids increases the likelihood of reoffending</strong></p> <p>Imprisoning young offenders is also associated with future <a href="https://www.sciencedirect.com/science/article/pii/S027273581300010X?casa_token=TJ6WoQJnWnsAAAAA:NKTzeYv-LJcHuwT7Xs5fxeHUx9lHsKzVlQDpLpWPyG7u4KAXb1866s-sdupwbQmcbPR93qArg99O" target="_blank" rel="noopener">offending behaviours</a> and <a href="https://www.aph.gov.au/Parliamentary_Business/Committees/Committees_Exposed/atsia/sentencing/report/chapter2" target="_blank" rel="noopener">continued contact with the justice system</a>.</p> <p>Without proper rehabilitation and support post-release, Aboriginal and Torres Strait Islander young peoples often return to the same conditions that created the patterns of offending in the first place.</p> <p>Earlier this year, the head of Perth Children’s Court, Judge Hylton Quail <a href="https://www.abc.net.au/news/2022-02-10/hylton-quail-slams-conditions-banksia-hill-detention-centre/100819262" target="_blank" rel="noopener">condemned</a> the treatment of a young person in detention at Banksia Hill, stating:</p> <blockquote> <p>When you treat a damaged child like an animal, they will behave like an animal […] When you want to make a monster, this is how you do it.</p> </blockquote> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">Today marks 5 years since the recommendations of the Royal Commission into the Detention and Protection of Children in the NT, which recommended closing Don Dale.<br />We now have record numbers of Aboriginal children incarcerated due to punitive bail laws introduced last year. <a href="https://t.co/buxMFFucW7">pic.twitter.com/buxMFFucW7</a></p> <p>— NAAJA (@NAAJA_NT) <a href="https://twitter.com/NAAJA_NT/status/1593059263223844864?ref_src=twsrc%5Etfw">November 17, 2022</a></p></blockquote> <p><strong>What needs to be done?</strong></p> <p>There needs to be substantive change in how young people who come in contact with the justice system are treated. We need governments to commit, under <a href="https://www.closingthegap.gov.au/national-agreement" target="_blank" rel="noopener">Closing the Gap</a>, to whole-of-system change through:</p> <ol> <li> <p>recognising children should not be criminalised at ten years old. The <a href="https://raisetheage.org.au/campaign" target="_blank" rel="noopener">Raise the Age</a> campaign is calling for the minimum age of responsibility to be raised to 14. Early prevention and intervention <a href="https://search.informit.org/doi/abs/10.3316/agispt.20211109056541" target="_blank" rel="noopener">approaches</a> are necessary here. Children who are at risk of offending should be appropriately supported, to reduce pathways to offending.</p> </li> <li> <p>an approach addressing <em>why</em> young Aboriginal and Torres Strait Islander peoples are locked up in such great numbers is required, driven by respective First Nations communities. This means investing in housing, health, education, transport and other essential services and crucial aspects of a person’s life. An example of this is found in a pilot program in New South Wales called <a href="https://www.justreinvest.org.au/wp-content/uploads/2022/10/JRNSW-I-Reinvestment-Forum-I-Report.pdf" target="_blank" rel="noopener">Redefining Reinvestment</a>, which tackled the social determinants of incarceration using a community approach.</p> </li> <li> <p>future solutions must be trauma-informed and led by Aboriginal and Torres Strait Islander peoples.</p> </li> </ol> <p>Aboriginal and Torres Strait Islander children are not born criminals. They are born into systems that fail them, in a country that all too often turns a blind eye before locking them up.</p> <p>The Australian government needs to work with First Nations communities to ensure the safety and wellbeing of all Aboriginal and Torres Strait Islander peoples, including our future generations.</p> <p><em>If this article has caused distress, please contact one of these helplines: <a href="https://www.13yarn.org.au/?gclid=Cj0KCQiAsdKbBhDHARIsANJ6-jfrUNMB9So6Gd1ICVQPd6uvGbfEaceXNR0BNYnEVCoxnMs7eiMmv20aAjDaEALw_wcB">13yarn</a>, <a href="https://www.lifeline.org.au/">Lifeline</a>, <a href="https://headspace.org.au/?gclid=Cj0KCQiAsdKbBhDHARIsANJ6-jdx8qmNF8hzPZNjURGbT9af0wT_xGUjDU26wX5Eftykygb35_OPLccaAp5uEALw_wcB">Headspace</a></em><img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/194657/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /></p> <p><em>Writen by Summer May Finlay, </em><em>Ee Pin Chang, Jemma Collova </em><em>and Pat Dudgeon. Republished with permission from <a href="https://theconversation.com/locking-up-kids-has-serious-mental-health-impacts-and-contributes-to-further-reoffending-194657" target="_blank" rel="noopener">The Conversation</a>.</em></p> <p> </p> <p><em>Image: Getty Images</em></p>

Mind

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Steve Martin discusses his love for Indigenous Australian art

<p dir="ltr">Comedian and actor Steve Martin has long been an avid art lover and collector. </p> <p dir="ltr">After making onto ARTnews Top 200 Collectors list several times in the 1990s, he has recently turned his attention to Indigenous Australian art and its deep cultural history. </p> <p dir="ltr">With his wife Anne Stringfield, he’s bought works by Indigenous artists such as Bill Whiskey Tjapaltjarri, Timo Hogan, Carlene West, Warlimpirrnga Tjapaltjarri, and Doreen Reid Nakamarra, among many others.</p> <p dir="ltr">His love for these works began almost 10 years ago, as he shared with <a href="https://www.artnews.com/art-news/news/actor-steve-martin-on-the-joys-and-the-difficulties-of-collecting-contemporary-indigenous-australian-art-1234644806/">ARTnews</a>.</p> <p dir="ltr">He said, “It all started with one picture by this artist, Warlimpirrnga Tjapaltjarri. I just really liked it, bought it, and hung it in our house for several years. I really didn’t know that there was a whole big funnel going back this way of its history.” </p> <p dir="ltr">“I hadn’t really seen anything like this before. And they were available, which is an aspect of the art world now that is the opposite—most things are unavailable. And I loved them. I thought they were great.”</p> <p dir="ltr">He said his collection, which includes over a hundred works, is “hard to improve” when dealing with art pieces that are increasingly rare. </p> <p dir="ltr">Some of the works he owns have been displayed in non-selling shows at Gagosian locations in New York and Beverly Hills, California, with Steve saying he “loves just getting these pictures seen” by like-minded art fans. </p> <p dir="ltr"><em>Image credits: Getty Images</em></p>

Art

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“I’ve tasted the faintest bitter edge of racism”: Ash Barty admits to being racially abused

<p dir="ltr">Ash Barty has confessed that she’s been on the receiving end of “bitter racism” after finding out about her Indigenous heritage. </p> <p dir="ltr">In her autobiography, <em>My Dream Time</em>, which will be published on November 2, Barty opens up about the moment she found out about her family’s past. </p> <p dir="ltr">The former tennis player said it was a difficult moment when her father searched for the truth and eventually told Barty and her sister which then led to “vile racism”. </p> <p dir="ltr">“I’ve seen glimpses and tasted the faintest bitter edge of racism” she wrote.</p> <p dir="ltr">“I’d win a Deadly Award but get vilified on line. I’d become a Tennis Australia First Nations Ambassador and then find some muppet calling my heritage into question.”</p> <p dir="ltr">The three-time Grand Slam winner said there was still a lot of work and educated needed to address the importance of Indigenous Australians. </p> <p dir="ltr">“There was no need for us to talk about that in the moment but it was certainly something that confused me a little bit as to why someone would criticise something that is so personal to me,” she told NewsCorp.</p> <p dir="ltr">“Looking back now it’s all about the education and giving people the tools to understand others and appreciate what came before us.”</p> <p dir="ltr">Barty went on to reveal that her trip to Central Australia where she worked with First Nations children was when she was convinced of a connection with them. </p> <p dir="ltr">“If anything it has just reassured to me that the path I want to go down in the future is to try and help First Nations youth around the country.”</p> <p dir="ltr">Eventually, Barty found out of her Indigenous heritage when her father Rob traced back his roots. </p> <p dir="ltr">At 13 he was told by a cousin that there was Indigenous heritage in the family but his parents denied it, claiming their connection was only to Māoris in New Zealand. </p> <p dir="ltr">Rob did not accept that and went on to trace back his family history where he found out that his great grandmother was an Indigenous Australian who married a white man. </p> <p dir="ltr">Barty’s dad sat her and her sister down when she was just seven and told them the truth. </p> <p dir="ltr">The family then went on to record their names with the Ngarigu Nation. </p> <p dir="ltr">“It was not a conversation his parents could have with him,” she wrote.</p> <p dir="ltr">“To his parents, Aboriginal ancestry was something to be ashamed of and not something he should be curious about.”</p> <p dir="ltr"><em>Images: Instagram</em></p>

Family & Pets

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Queen Elizabeth II mural painted over

<p dir="ltr">A mural of Queen Elizabeth II has been painted over with the Aboriginal Flag a few days after the monarch was laid to rest.</p> <p dir="ltr">Queen Elizabeth died on September 8 at Balmoral Castle in Scotland and was buried on September 19 at King George VI Memorial Chapel in St George's Chapel.</p> <p dir="ltr">The day of her death saw local Sydney artist Stuart Sale paint the mural in the inner-west suburb of Marrickville.</p> <p dir="ltr">Bobby, another local member of the community, told OverSixty that Mr Sale had painted the mural at night, and had then come back the next morning to touch it up.</p> <p dir="ltr">“There was quite a crowd around him as he finalised the mural,” he said.</p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/CiZohGyPHkA/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/CiZohGyPHkA/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank" rel="noopener">A post shared by Stuart Sale (@stuartsale)</a></p> </div> </blockquote> <p dir="ltr">The mural was left untouched for almost two weeks until Australia’s National Day of Mourning when it was painted over with the Aboriginal Flag.</p> <p dir="ltr">“It’s a very sensitive issue,” Bobby told OverSixty.</p> <p dir="ltr">Mr Sale shared an update to his Instagram of the altered mural with the caption, “Art can be so powerful”, along with three hearts in the Aboriginal Flag colours.</p> <p dir="ltr">He explained that the mural belonged to the people and that he did not have any plans on fixing it.</p> <p dir="ltr">“It belongs to the people in a way and that’s why I’m torn. I’ve painted this and given it to the street. I might let it stay for now.”</p> <p dir="ltr"><em>Images: Sahar Mourad</em></p>

Art

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Artist reworks the classics to include Aboriginal women

<p dir="ltr">An Indigenous artist is reclaiming her heritage by reworking famous artworks to include Aboriginal women. </p> <p dir="ltr">Brandi Salmon, a Wiradjuri artist from Hobart, was first inspired to attempt these reimaginings after viewing numerous artworks about Aboriginal people that were created by non-Indigenous artists and that portrayed Aboriginal people in a negative light – in particular a 19th-century painting that depicts an Aboriginal person as a servant waiting in the presence of Captain James Cook. </p> <p dir="ltr">These negative depictions then led to the creation of a series of works celebrating Aboriginal people titled The Aunty Collection, which includes five famous paintings that feature Aboriginal women, often in regal positions and as the focal point of the artwork.</p> <p dir="ltr">After discovering her love of art as a child, Aboriginal presence in art became a focus when Ms Salmon attended university, where she studied creative arts.</p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-permalink="https://www.instagram.com/p/CSJTBTkh32W/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/CSJTBTkh32W/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank" rel="noopener">A post shared by Brandi Salmon (@brandisalmon.artist)</a></p> </div> </blockquote> <p dir="ltr">“A lot of the paintings I came across were paintings of Aboriginal people as servants," she told the <a href="https://www.abc.net.au/news/2022-09-13/artist-appropriates-famous-paintings-to-include-aboriginal-women/101394128">ABC</a>. </p> <p dir="ltr">“What you see in a lot of paintings from those periods is a style of art which depicts Aboriginal people in such a way that justifies the colonial project," said Tiriki Onus, head of the Wilin Centre for Indigenous Arts and Cultural Development at the University of Melbourne.</p> <p dir="ltr">"You will see Aboriginal people depicted in this almost animal-like, grotesque fashion that is indicative of a certain time period and romanticises invasion.”</p> <p dir="ltr">When Brandi first started The Aunty Collection for a university assignment, it evolved further than she ever imagined it would. </p> <p dir="ltr">"I wasn't taught how to do the traditional painting and I felt like I couldn't do it. I felt a need to create my own style," she said.</p> <p dir="ltr">The Aunty Collection now features paintings such as Botticelli's <em>The Birth of Venus</em> and Leonardo da Vinci's <em>Mona Lisa</em> re-imagined as strong and proud Aboriginal women.</p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-permalink="https://www.instagram.com/p/CN42p4fhxAH/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/CN42p4fhxAH/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank" rel="noopener">A post shared by Brandi Salmon (@brandisalmon.artist)</a></p> </div> </blockquote> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-permalink="https://www.instagram.com/p/CUH0MSIh2vC/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/CUH0MSIh2vC/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank" rel="noopener">A post shared by Brandi Salmon (@brandisalmon.artist)</a></p> </div> </blockquote> <p dir="ltr">Brandi said, "If you think about the classical works, they often depict people and their everyday world to some extent."</p> <p dir="ltr">"A couple of hundred years ago we were being depicted as servants, and now we have the freedom to do The Aunty Collection."</p> <p dir="ltr">"I don't think I realised how much of an impact that would have."</p> <p dir="ltr" style="line-height: 1.38; margin-top: 12pt; margin-bottom: 12pt;"><em>Image credits: Instagram</em><span id="docs-internal-guid-92d6872c-7fff-0194-caca-a9d72f7ea119"></span></p>

Art

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"Put it up properly!" PM criticised for public flag blunder

<p dir="ltr">Australian Prime Minister Anthony Albanese has come under fire after the Aboriginal flag was hung upside down on the first day of the Jobs and Skills Summit at Parliament House - made worse by the fact that no one in attendance seemed to notice the error either.</p> <p dir="ltr">The incorrectly-hung Indigenous flag was in the background displayed alongside the Australia and Torres Strait Islander flags as Mr Albanese addressed the 140 government and business leaders and was spotted in various selfies and photos taken on the day.</p> <p><span id="docs-internal-guid-6a78ef78-7fff-2c33-67d8-b5d595a52513">When correctly flown, the black half of the flag, <a href="https://aiatsis.gov.au/explore/aboriginal-flag" target="_blank" rel="noopener">representing</a> First Nations Australians, is meant to be at the top, with the red half, signifying the earth, at the bottom.</span></p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">Loved joining this powerhouse of women speakers on the opening panel at the <a href="https://twitter.com/hashtag/jobssummit?src=hash&amp;ref_src=twsrc%5Etfw">#jobssummit</a>. Equity for women can’t wait ⁦<a href="https://twitter.com/SenKatyG?ref_src=twsrc%5Etfw">@SenKatyG</a>⁩ ⁦<a href="https://twitter.com/sammostyn?ref_src=twsrc%5Etfw">@sammostyn</a>⁩ ⁦<a href="https://twitter.com/emmafulu?ref_src=twsrc%5Etfw">@emmafulu</a> ⁦<a href="https://twitter.com/June_Oscar?ref_src=twsrc%5Etfw">@June_Oscar</a>⁩⁦<a href="https://twitter.com/leonora_risse?ref_src=twsrc%5Etfw">@leonora_risse</a>⁩<br />⁩ <a href="https://t.co/eVd6kDATfJ">pic.twitter.com/eVd6kDATfJ</a></p> <p>— Michele O'Neil (@MicheleONeilAU) <a href="https://twitter.com/MicheleONeilAU/status/1565152042347180034?ref_src=twsrc%5Etfw">September 1, 2022</a></p></blockquote> <p dir="ltr">It hung upside down until delegates left for the lunch break and was correctly displayed when they returned.</p> <p dir="ltr">Prominent Indigenous leaders called out the faux pas, including Coalition Senator Jacinta Price and Warren Mundine, a business leader and former Labor Party president.</p> <p dir="ltr">Senator Price, who has previously criticised Mr Albanese’s flying of the flag as empty symbolism, said it was ironic that the government went out of its way to show symbolic respect for Indigenous Australians, yet still made such an error.</p> <p dir="ltr">“With all the virtuous expression of respect for Aboriginal Australians... and all the carry on with strategically placing the flag prominently to express this deep virtue you’d think that this Albanese Government could actually hang it the right way up?” she said.</p> <p><span id="docs-internal-guid-ac92a209-7fff-5a3a-fd3d-4d50441b5373"></span></p> <p dir="ltr">“Especially at such a significant and groundbreaking event such as the job summit.”</p> <p dir="ltr"><img src="https://oversixtydev.blob.core.windows.net/media/2022/09/albo-flag1.jpg" alt="" width="1280" height="720" /></p> <p dir="ltr"><em>Various speakers were photographed in front of the incorrectly-hung Indigenous flag, which was corrected during the event’s lunch break. Images: @AlboMP (Twitter)</em></p> <p dir="ltr">Mr Mundine said he was shocked when the saw the flag on TV, describing the mistake as “ignorant” and “pathetic”.</p> <p dir="ltr">“How ignorant and pathetic is it that our national flag is treated this way… put it up properly!” he said.</p> <p dir="ltr">The Parliamentary Services Department, which was responsible for the error, later said the flag being upside down was the result of “an unfortunate human error”.</p> <p dir="ltr">“The incorrect mounting of the Aboriginal flag was due to an unfortunate human error. Once the error was identified, it was immediately corrected,” it said.</p> <p dir="ltr">While a flag flying upside down can signal that someone is in distress in the US and is sometimes used by protestors at rallies, the act is banned under all circumstances by the Australian flag protocols.</p> <p dir="ltr">Mr Albanese has been displaying the Aboriginal and Torres Strait Islander flags in parliament and at government events since becoming PM following the May election, with Indigenous MPs and leaders praising it as a long-overdue acknowledgement of First Nations culture and Australia’s history before British colonisation. </p> <p dir="ltr"><span id="docs-internal-guid-34d56c2f-7fff-7b7e-e9a5-06a678a4de7f"></span></p> <p dir="ltr"><em>Images: @AlboMP (Twitter)</em></p>

News

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An Indigenous language could help humans and AI communicate

<p dir="ltr">One of the most challenging problems impeding humans from communicating with Artificial Intelligence (AI) systems could have a unique solution: a language spoken by Indigenous Australians in the NT.</p> <p dir="ltr">Researchers at the University of New South Wales have published a paper explaining how Jingulu - a language spoken by the Jingili people - could be translated directly into commands that both AI and humans can understand.</p> <p dir="ltr">The study, published in <em><a href="https://doi.org/10.3389/fphy.2022.944064" target="_blank" rel="noopener">Frontiers in Physics</a></em>, details how Professor Abbass worked with linguistics expert Associate Professor Eleni Petraki and Dr Robert Hunjet, a member of the Defence Science and Technology Group to create JSwarm, a language inspired by Jingulu.</p> <p dir="ltr">Jingulu uses just three verbs - come, go and do - which also means that the amount of computational power needed to understand the commands is low. </p> <p dir="ltr">“For us, Jingulu is a dream that came true,” Professor Hussein Abbass, the study’s first author, said.</p> <p dir="ltr">“A language that can translate straight into AI commands; a human language that humans can understand; an efficient language in its syntax that reduces computational cost; a language where we can change the context of use without changing its syntax to allow us to transfer the AI between different domains with ease; and a language that is born and used in Australia to support research and innovation that are born and used in Australia.”</p> <p dir="ltr">Professor Abbass works with swarm systems of AI, where groups of robots work together to perform tasks and solve complex problems in a system that draws inspiration from how small numbers of sheepdogs can control large flocks of sheep.</p> <p dir="ltr">“This problem is all about movements in different information and knowledge spaces, including the physical spaces,” Professor Abbass said.</p> <p dir="ltr">“These movements are represented mathematically as elements that get attracted to each other or repulse from each other. For a long time, I have been looking at how we can design the languages used at the interface between the swarm and humans.”</p> <p dir="ltr">Having previously investigated systems that rely on gestures, direct commands, and even music, Professor Abbass said these systems all had their challenges.</p> <p dir="ltr">“They either had a richer language than what we needed or did not map exactly to the mathematics we use for guidance and control,” Dr Abbass said.</p> <p dir="ltr">“This all changed one day when, out of curiosity, I was searching on Google for studies that looked at the syntax of Aboriginal languages.</p> <p dir="ltr">“I encountered a PhD thesis about Jingulu, I started reading it then it did not take much time before it clicked in my head; this language would be perfect for my artificial intelligence-enabled swarm guidance work.”</p> <p dir="ltr">This isn’t the first time Indigenous languages have been applied to interesting problems either, with applications dating back to World War II.</p> <p dir="ltr">“The Aboriginal people have a long history of contributions to the defence of Australia,” Professor Abbass said.</p> <p dir="ltr">“During the Second World War their languages were used for secret communications. Today we are discovering that the wealth and richness of the Aboriginal languages and culture could hold the secret in human-AI interaction.”</p> <p><span id="docs-internal-guid-f939bc00-7fff-1d15-1260-dd99f6eb4720"></span></p> <p dir="ltr"><em>Image: Getty Images</em></p>

Technology

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New research in Arnhem Land reveals why institutional fire management is inferior to cultural burning

<p>One of the conclusions of this week’s shocking <a href="https://soe.dcceew.gov.au/" target="_blank" rel="noopener">State of the Environment report</a> is that climate change is lengthening Australia’s bushfire seasons and raising the number of days with a fire danger rating of “very high” or above. In New South Wales, for example, the season now extends to almost eight months.</p> <p>It has never been more important for institutional bushfire management programs to apply the principles and practices of Indigenous fire management, or “cultural burning”. As the report notes, cultural burning reduces the risk of bushfires, supports habitat and improves Indigenous wellbeing. And yet, the report finds:</p> <blockquote> <p>with significant funding gaps, tenure impediments and policy barriers, Indigenous cultural burning remains underused – it is currently applied over less than 1% of the land area of Australia’s south‐eastern states and territory.</p> </blockquote> <p>Our <a href="https://www.nature.com/articles/s41598-022-12946-3" target="_blank" rel="noopener">recent research</a> in <em>Scientific Reports</em> specifically addressed the question: how do the environmental outcomes from cultural burning compare to mainstream bushfire management practices?</p> <p>Using the stone country of the Arnhem Land Plateau as a case study, we reveal why institutional fire management is inferior to cultural burning.</p> <p>The few remaining landscapes where Aboriginal people continue an unbroken tradition of caring for Country are of international importance. They should be nationally recognised, valued and resourced like other protected cultural and historical places.</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">Different indigenous fire application today with a country full of weeds. First burn of of two applications this year. This is what we have to do to make country have less flammable vegetation. Walk through, More time and love put into country. <a href="https://t.co/pnoWFQbq6C">pic.twitter.com/pnoWFQbq6C</a></p> <p>— Victor Steffensen (@V_Steffensen) <a href="https://twitter.com/V_Steffensen/status/1505384041402748930?ref_src=twsrc%5Etfw">March 20, 2022</a></p></blockquote> <p><strong>Ancient fire management</strong></p> <p>The rugged terrain of the Arnhem Plateau in Northern Territory has an ancient human history, with archaeological evidence <a href="https://www.abc.net.au/news/science/2017-07-20/aboriginal-shelter-pushes-human-history-back-to-65,000-years/8719314#:%7E:text=New%20excavations%20of%20a%20rock,earlier%20than%20archaeologists%20previously%20thought." target="_blank" rel="noopener">dated at 65,000 years</a>.</p> <p>Arnhem Land is an ideal place to explore the effects of different fire regimes because fire is such an essential feature of the natural and cultural environment.</p> <p>Australia’s monsoon tropics are particularly fire prone given the sharply contrasting wet and dry seasons. The wet season sees prolific growth of grasses and other flammable plants, and dry season has reliable hot, dry, windy conditions.</p> <p>Millennia of <a href="https://theconversation.com/the-worlds-best-fire-management-system-is-in-northern-australia-and-its-led-by-indigenous-land-managers-133071" target="_blank" rel="noopener">skilful fire management</a> by Indigenous people in these landscapes have allowed plants and animals needing infrequently burnt habitat to thrive.</p> <p>This involves shifting “mosaic” burning, where small areas are burned regularly to create a patchwork of habitats with different fire histories. This gives wildlife a diversity of resources and places to shelter in.</p> <p>Conservation biologists suspect that the loss of such patchy fires since colonisation has contributed to the <a href="http://132.248.10.25/therya/index.php/THERYA/article/view/236/html_66" target="_blank" rel="noopener">calamitous demise</a> of wildlife species across northern Australia, such as northern quolls, northern brown bandicoots and grassland melomys.</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">"Fire is the way to really look after the land and the people. Since we started here, we've been using fire. And we need to bring it back because it unites the people and the land." Jacob Morris, Gumea-Dharrawal Yuin man. 🎥 Craig Bender &amp; <a href="https://twitter.com/VeraHongTweets?ref_src=twsrc%5Etfw">@VeraHongTweets</a> <a href="https://t.co/Afh6iwIrOX">pic.twitter.com/Afh6iwIrOX</a></p> <p>— FiresticksAlliance (@FiresticksA) <a href="https://twitter.com/FiresticksA/status/1436177617049296901?ref_src=twsrc%5Etfw">September 10, 2021</a></p></blockquote> <p><strong>Collapse of the cypress pine</strong></p> <p>Our study was undertaken over 25 years, and wouldn’t have been possible without the generous support and close involvement of the Traditional Owners over this time.</p> <p>It compared an area under near continuous Indigenous management by the Kune people of Western Arnhem Land with ecologically similar and unoccupied areas within Kakadu National Park.</p> <p>We found populations of the cypress pine (<em>Callitris intratropica</em>) remained healthy under continual Aboriginal fire management. By contrast, cypress pine populations had collapsed in ecologically similar areas in Kakadu due to the loss of Indigenous fire management, as they have across much of northern Australia.</p> <p>The population of dead and living pines is like a barcode that records fire regime change. The species is so long lived that older trees were well established before colonisation.</p> <p>The timber is extremely durable and termite resistant, so a tree killed by fire remains in the landscape for many decades. And mature trees, but not juveniles, can tolerate low intensity fires, but intense fires kill both.</p> <figure class="align-center zoomable"><em><a href="https://images.theconversation.com/files/475072/original/file-20220720-22-odbe84.jpeg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=1000&amp;fit=clip"><img src="https://images.theconversation.com/files/475072/original/file-20220720-22-odbe84.jpeg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/475072/original/file-20220720-22-odbe84.jpeg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=600&amp;h=800&amp;fit=crop&amp;dpr=1 600w, https://images.theconversation.com/files/475072/original/file-20220720-22-odbe84.jpeg?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=600&amp;h=800&amp;fit=crop&amp;dpr=2 1200w, https://images.theconversation.com/files/475072/original/file-20220720-22-odbe84.jpeg?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=600&amp;h=800&amp;fit=crop&amp;dpr=3 1800w, https://images.theconversation.com/files/475072/original/file-20220720-22-odbe84.jpeg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;h=1005&amp;fit=crop&amp;dpr=1 754w, https://images.theconversation.com/files/475072/original/file-20220720-22-odbe84.jpeg?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=754&amp;h=1005&amp;fit=crop&amp;dpr=2 1508w, https://images.theconversation.com/files/475072/original/file-20220720-22-odbe84.jpeg?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=754&amp;h=1005&amp;fit=crop&amp;dpr=3 2262w" alt="" /></a></em><figcaption><em><span class="caption">Cypress pine timber can remain in the landscape decades after the tree died.</span> <span class="attribution"><span class="source">Michael Hains/Atlas of Living Australia</span>, <a class="license" href="http://creativecommons.org/licenses/by-nc-sa/4.0/" target="_blank" rel="noopener">CC BY-NC-SA</a></span></em></figcaption></figure> <p>Since 2007, park rangers have attempted to emulate cultural burning outcomes. They’ve used aircraft to drop incendiaries to create a coarse patchwork of burned and unburned areas to improve biodiversity in the stone country within Kakadu.</p> <p>Unfortunately, our research found Kakadu’s fire management interventions failed to restore landscapes to the healthier ecological condition under traditional Aboriginal fire management.</p> <p>While the Kakadu aerial burning program increased the amount of unburnt vegetation, it didn’t reverse the population collapse of cypress pines. Searches of tens of kilometres failed to find a single seedling in Kakadu, whereas they were common in comparable areas under Aboriginal fire management.</p> <p>Our study highlights that once the ecological benefits of cultural burning are lost, they cannot be simply restored with mainstream fire management approaches.</p> <p>But that’s not to say the ecological impacts from the loss of Aboriginal fire management cannot be reversed. Rather, restoring fire regimes and ecosystem health will be slow, and require special care in where and how fires are set.</p> <p>This requires teams on the ground with deep knowledge of the land, rather than simply spreading aerial incendiaries from helicopters.</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">After 60 years of fire exclusion, another magic day restoring fire to Arakwal-Bundjalung-Bumberlin country. <a href="https://t.co/xRRNb4ELdQ">pic.twitter.com/xRRNb4ELdQ</a></p> <p>— Dr. Andy Baker (@FireDiversity) <a href="https://twitter.com/FireDiversity/status/1537768580455931905?ref_src=twsrc%5Etfw">June 17, 2022</a></p></blockquote> <p><strong>There’s much to learn</strong></p> <p>There remains much for Western science to learn about <a href="https://theconversation.com/fighting-fire-with-fire-botswana-adopts-indigenous-australians-ancient-burning-tradition-135363" target="_blank" rel="noopener">traditional fire management</a>.</p> <p>Large-scale institutional fire management is based on concepts of efficiency and generality. It is controlled by bureaucracies, and achieved using machines and technologies.</p> <p>Such an “industrial” approach cannot replace the placed-based knowledge, including close human relationships with Country, underpinning <a href="https://www.firesticks.org.au/about/cultural-burning/" target="_blank" rel="noopener">cultural burning</a>.</p> <p>Cultural burning and institutional fire management could be thought of as the differences between home cooking and fast food. Fast food is quick, cheap and produces the same product regardless of individual needs. Home cooking takes longer to prepare, can cater to individual needs, and can improve wellbeing.</p> <p>But restoring sustainable fire regimes based on the wisdom and practices of Indigenous people cannot be achieved overnight. Reaping the benefits of cultural burning to landscapes where colonialism has disrupted ancient fire traditions take time, effort and resources.</p> <p>It’s urgent remaining traditional fire practitioners are recognised for their invaluable knowledge and materially supported to continue caring for their Country. This includes:</p> <ul> <li>actively supporting Indigenous people to reside on their Country</li> <li>to pay them to undertake natural resource management including cultural burning</li> <li>creating pathways enabling Indigenous people separated from their country by colonialism to re-engage with fire management.</li> </ul> <p>Restoring landscapes with sustainable cultural burning traditions is a long-term project that will involve training and relearning ancient practices. There are extraordinary opportunities for Indigenous and non-Indigenous people alike to learn how to Care for Country.</p> <hr /> <p><em>The authors gratefully acknowledge the contribution of Victor Steffensen, the Lead Fire Practitioner at the Firesticks Alliance Indigenous Corporation, who reviewed this article.</em><img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/184562/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /></p> <p><em><a href="https://theconversation.com/profiles/david-bowman-4397" target="_blank" rel="noopener">David Bowman</a>, Professor of Pyrogeography and Fire Science, <a href="https://theconversation.com/institutions/university-of-tasmania-888" target="_blank" rel="noopener">University of Tasmania</a>; <a href="https://theconversation.com/profiles/christopher-i-roos-1354187" target="_blank" rel="noopener">Christopher I. Roos</a>, Professor, <a href="https://theconversation.com/institutions/southern-methodist-university-1988" target="_blank" rel="noopener">Southern Methodist University</a>, and <a href="https://theconversation.com/profiles/fay-johnston-90826" target="_blank" rel="noopener">Fay Johnston</a>, Professor, Menzies Institute for Medical Research, <a href="https://theconversation.com/institutions/university-of-tasmania-888" target="_blank" rel="noopener">University of Tasmania</a></em></p> <p><em>This article is republished from <a href="https://theconversation.com" target="_blank" rel="noopener">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/new-research-in-arnhem-land-reveals-why-institutional-fire-management-is-inferior-to-cultural-burning-184562" target="_blank" rel="noopener">original article</a>.</em></p> <p><em>Image: @FireDiversity (Twitter)</em></p>

Domestic Travel

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Penny Wong says Australia has “a lot to learn” from New Zealand

<p dir="ltr">Australian Foreign Minister Penny Wong has said the country has “a lot to learn” from New Zealand when it comes to indigenous foreign policy.</p> <p dir="ltr">Wong met with New Zealand’s Foreign Minister, Nanaia Mahuta, at Parliament in Wellington for their first official bilateral talks since the new Australian government came into power under Anthony Albanese, as reported by the <em><a href="https://www.nzherald.co.nz/nz/penny-wong-says-australia-has-lot-to-learn-from-nz-on-indigenous-issues-china-pacific-discussed/RV4VARZMDACZKX7JATZMXSRPQM/" target="_blank" rel="noopener">NZ Herald</a></em>.</p> <p><span id="docs-internal-guid-aef07535-7fff-46b6-f1fb-c90b150fc0fa"></span></p> <p dir="ltr">The pair spoke at length in their private meeting, covering climate change, issues in the Pacific, Russia’s war on Ukraine, the Pacific Islands forum next month, and working together on Indigenous-based foreign policy.</p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/Ce3RI5xPA9M/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/Ce3RI5xPA9M/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank" rel="noopener">A post shared by Penny Wong (@senatorpennywong)</a></p> </div> </blockquote> <p dir="ltr">Wong’s visit to Parliament began with a traditional pōwhiti ceremonial welcome, led by mana whenua Te Āti Awa (one of New Zealand’s Awa tribes).</p> <p dir="ltr">Mana whenua and Mahuta’s side of the room sang Purea Nei, with Wong and her Australian delegation responding with E Toru Ngā Mea.</p> <p dir="ltr">Wong described the experience of being welcomed as “very moving”.</p> <p dir="ltr"><span id="docs-internal-guid-322366d0-7fff-5f13-2e30-6fd2b189b192"></span></p> <p dir="ltr">“It’s an act of respect and honour, you feel the power of that. Being welcomed into someone’s land, you feel the importance,” she said.</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="ro">Australia Foreign Minister Penny Wong and her delegation sing the Māori waiata E Toru Ngā Mea during pōwhiri led by mana whenua Te Āti Awa at Parliament <a href="https://t.co/KznD0Xj6WI">pic.twitter.com/KznD0Xj6WI</a></p> <p>— Michael Neilson (@mr_neilson_) <a href="https://twitter.com/mr_neilson_/status/1537270105943715840?ref_src=twsrc%5Etfw">June 16, 2022</a></p></blockquote> <p dir="ltr">Wong said one of the main reasons she sought to work in her current role was to be part of a government that implemented the Uluru Statement of the Heart, which calls for constitutional change to give Indigenous Australians representation in Parliament and a Makarta Commission for treaty making and truth telling.</p> <p dir="ltr">She said she appreciated learning on the topic from Mahuta - who is of the Waikato-Tainui, Ngāti Maniapoto and Ngāti Manu iwi (tribes) - who has a “depth of personal wisdom”.</p> <p dir="ltr">Having read Mahuta’s statements and speeches, Wong said she found the use of Māori concepts “extraordinarily powerful”.</p> <p dir="ltr">“We can learn a lot from your country,” Wong said.</p> <p dir="ltr">“We are a modern, multicultural, diverse nation and we have the privilege of one of the oldest continuing cultures on Earth.</p> <p dir="ltr">“And we should integrate that much more into how we engage with the world and how we talk to and with the world and about ourselves.”</p> <p dir="ltr">The pair went on to discuss tensions in the Pacific region, stemming from a security pact signed by the Solomon Islands with China in March, with Wong noting that previous governments hadn’t done enough in the region.</p> <p dir="ltr">She pledged to “do more” for the “Pacific family” and said Australia’s partnership with New Zealand was “indispensable”.</p> <p dir="ltr">“We know we can always rely on each other,” she said.</p> <p dir="ltr">“We’re allies, we’re friends, and we’re partners in the region and the world that, as the minister said, is experiencing a much sharper set of challenges.”</p> <p dir="ltr">When the topic of the controversial 501 deportation policy arose, Wong gave no further information besides saying that Mr Albanese and New Zealand Prime Minister Jacinda Ardern had discussed the issue when they met in Sydney.</p> <p dir="ltr">“We understand the concerns have been raised. We’ll take those into consideration,” Wong said.</p> <p dir="ltr">After their meeting, Wong will be meeting with the Prime Minister and Cabinet ministers in the Solomon Islands, while Mahuta will travel to Rwanda to represent New Zealand at the Commonwealth Heads of Government Meeting.</p> <p dir="ltr"><span id="docs-internal-guid-9355f1e9-7fff-74b8-f1aa-cabccfba67cd"></span></p> <p dir="ltr"><em>Image: Getty Images</em></p>

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Shifting seasons: using Indigenous knowledge and western science to help address climate change impacts

<p>Traditional Owners in Australia are the creators of millennia worth of <a href="https://e360.yale.edu/features/native-knowledge-what-ecologists-are-learning-from-indigenous-people" target="_blank" rel="noopener">traditional ecological knowledge</a> – an understanding of how to live amid changing environmental conditions. Seasonal calendars are one of the forms of this knowledge best known by non-Indigenous Australians. But as the climate changes, these calendars are being disrupted.</p> <p>How? Take the example of wattle trees that flower at a specific time of year. That previously indicated the start of the fishing season for particular species. Climate change is causing these plants to flower later. In response, Traditional Owners on <a href="http://www.archerpoint.com.au/" target="_blank" rel="noopener">Yuku Baja Muliku</a> (YBM) Country near Cooktown are having to adapt their calendars and make new links.</p> <p>That’s not all. The seasonal timing of cultural burning practices is changing in some areas. Changes to rainfall and temperature alter when high intensity (hot) burns and low intensity (cool) burns are undertaken.</p> <p>Seasonal connections vital to Traditional Owners’ culture are decoupling.</p> <p>To systematically document changes, co-author Larissa Hale and her community worked with western scientists to pioneer a Traditional Owner-centred approach to climate impacts on cultural values. This process, <a href="https://escholarship.org/uc/item/7kw7z2c9" target="_blank" rel="noopener">published last week</a>, could also help Traditional Owners elsewhere to develop adaptive management for their Indigenous heritage.</p> <figure class="align-center zoomable"><em><a href="https://images.theconversation.com/files/467324/original/file-20220606-15930-59oyt9.JPG?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=1000&amp;fit=clip"><img src="https://images.theconversation.com/files/467324/original/file-20220606-15930-59oyt9.JPG?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/467324/original/file-20220606-15930-59oyt9.JPG?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=600&amp;h=450&amp;fit=crop&amp;dpr=1 600w, https://images.theconversation.com/files/467324/original/file-20220606-15930-59oyt9.JPG?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=600&amp;h=450&amp;fit=crop&amp;dpr=2 1200w, https://images.theconversation.com/files/467324/original/file-20220606-15930-59oyt9.JPG?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=600&amp;h=450&amp;fit=crop&amp;dpr=3 1800w, https://images.theconversation.com/files/467324/original/file-20220606-15930-59oyt9.JPG?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;h=566&amp;fit=crop&amp;dpr=1 754w, https://images.theconversation.com/files/467324/original/file-20220606-15930-59oyt9.JPG?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=754&amp;h=566&amp;fit=crop&amp;dpr=2 1508w, https://images.theconversation.com/files/467324/original/file-20220606-15930-59oyt9.JPG?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=754&amp;h=566&amp;fit=crop&amp;dpr=3 2262w" alt="Wattle flower" /></a></em><figcaption><em><span class="caption">A YBM Traditional Owner showing the wattle flower which used to be an indicator species for good fishing.</span> <span class="attribution"><span class="license">Author provided</span></span></em></figcaption></figure> <p><strong>Climate change threatens First Nations - their perspectives must be heard</strong></p> <p>Australia’s First Nations people face many threats from climate change, ranging from impacts on food availability to health. For instance, rising seas are already <a href="https://www.smh.com.au/politics/federal/torres-strait-islanders-plead-for-climate-action-as-government-builds-seawall-20220401-p5aa13.html" target="_blank" rel="noopener">flooding islands</a> in the Torres Strait with devastating consequences.</p> <p>The most recent Intergovernmental Panel on Climate Change report on impacts and adaption noted in the <a href="https://www.ipcc.ch/report/ar6/wg2/downloads/report/IPCC_AR6_WGII_FinalDraft_Chapter11.pdf" target="_blank" rel="noopener">Australasia chapter</a> that climate-related impacts on Aboriginal and Torres Strait Islander peoples, their country and cultures are “pervasive, complex and compounding.”</p> <p>While it is important these impacts are recorded, the dominant source of the data is academic literature based on western science. Impacts and pressures Traditional Owners are seeing and managing on their country must be assessed and managed from their unique perspective.</p> <p>Traditional Owners have survived and adapted to climatic shifts during their 60,000+ years in Australia. This includes sea-level rise that flooded the area that is now the Great Barrier Reef and extreme rainfall variability. As a result, <a href="https://theconversation.com/ancient-knowledge-is-lost-when-a-species-disappears-its-time-to-let-indigenous-people-care-for-their-country-their-way-172760" target="_blank" rel="noopener">they have developed</a> a fine-tuned sense of nature’s variability over time.</p> <figure class="align-center zoomable"><em><a href="https://images.theconversation.com/files/467327/original/file-20220607-20-y7p3ak.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=1000&amp;fit=clip"><img src="https://images.theconversation.com/files/467327/original/file-20220607-20-y7p3ak.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/467327/original/file-20220607-20-y7p3ak.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=600&amp;h=400&amp;fit=crop&amp;dpr=1 600w, https://images.theconversation.com/files/467327/original/file-20220607-20-y7p3ak.jpg?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=600&amp;h=400&amp;fit=crop&amp;dpr=2 1200w, https://images.theconversation.com/files/467327/original/file-20220607-20-y7p3ak.jpg?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=600&amp;h=400&amp;fit=crop&amp;dpr=3 1800w, https://images.theconversation.com/files/467327/original/file-20220607-20-y7p3ak.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;h=502&amp;fit=crop&amp;dpr=1 754w, https://images.theconversation.com/files/467327/original/file-20220607-20-y7p3ak.jpg?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=754&amp;h=502&amp;fit=crop&amp;dpr=2 1508w, https://images.theconversation.com/files/467327/original/file-20220607-20-y7p3ak.jpg?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=754&amp;h=502&amp;fit=crop&amp;dpr=3 2262w" alt="Drone shot of Annan river" /></a></em><figcaption><em><span class="caption">YBM Traditional Owners and scientists surveying freshwater mussel populations on Annan River near Cooktown.</span> <span class="attribution"><span class="license">Author provided</span></span></em></figcaption></figure> <p><strong>So what did we do?</strong></p> <p>Worried about the changes they were seeing on their Land and Sea Country around Archer Point in North Queensland, the YBM people worked with scientists from James Cook University to create a new way to assess impacts on cultural values.</p> <p>To do this, we drew on the values-based, science-driven, and community-focused approach of the <a href="https://cvi-heritage.org/about" target="_blank" rel="noopener">climate vulnerability index</a>. It was the first time this index had been used to assess values of significance for Indigenous people.</p> <p>YBM people responded to key prompts to assess changes to their values, including:</p> <ul> <li>What did the value look like 100 years ago?</li> <li>What does it look like now?</li> <li>What do you expect it will look like in the climate future around 2050?</li> <li>What management practices relate to that value and will they change?</li> </ul> <p>We then discussed what issues have emerged from these climatic changes.</p> <p>Using this process, we were able to single out issues directly affecting how YBM people live. For instance, traditional food sources can be affected by climate change. In the past, freshwater mussels in the Annan River were easy to access and collect. Extreme temperature events in the last 10 years have contributed to mass die-offs. Now mussels are much smaller in size and tend to be far <a href="https://www.researchgate.net/publication/311066114_Freshwater_mussel_surveys_from_the_Annan_River_Yuku_Baja_Muliku_Country_-_project_findings" target="_blank" rel="noopener">fewer in number</a>.</p> <figure class="align-center zoomable"><a href="https://images.theconversation.com/files/467325/original/file-20220607-16-b1ny4a.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=1000&amp;fit=clip"><img src="https://images.theconversation.com/files/467325/original/file-20220607-16-b1ny4a.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/467325/original/file-20220607-16-b1ny4a.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=600&amp;h=420&amp;fit=crop&amp;dpr=1 600w, https://images.theconversation.com/files/467325/original/file-20220607-16-b1ny4a.jpg?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=600&amp;h=420&amp;fit=crop&amp;dpr=2 1200w, https://images.theconversation.com/files/467325/original/file-20220607-16-b1ny4a.jpg?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=600&amp;h=420&amp;fit=crop&amp;dpr=3 1800w, https://images.theconversation.com/files/467325/original/file-20220607-16-b1ny4a.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;h=528&amp;fit=crop&amp;dpr=1 754w, https://images.theconversation.com/files/467325/original/file-20220607-16-b1ny4a.jpg?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=754&amp;h=528&amp;fit=crop&amp;dpr=2 1508w, https://images.theconversation.com/files/467325/original/file-20220607-16-b1ny4a.jpg?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=754&amp;h=528&amp;fit=crop&amp;dpr=3 2262w" alt="Freshwater mussels Annan River" /></a><figcaption><em><span class="caption">Freshwater mussels used to be more common.</span> <span class="attribution"><span class="license">Author provided</span></span></em></figcaption></figure> <p>Through the process we also documented that changes to rainfall and temperature have altered the time when some plant foods appear. This is particularly true for plants that depend upon cultural burns to flower or put up shoots. This in turn has meant that the timing of collecting and harvesting has changed.</p> <figure class="align-right zoomable"><a href="https://images.theconversation.com/files/467328/original/file-20220607-12-61cmu0.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=1000&amp;fit=clip"><img src="https://images.theconversation.com/files/467328/original/file-20220607-12-61cmu0.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=237&amp;fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/467328/original/file-20220607-12-61cmu0.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=600&amp;h=450&amp;fit=crop&amp;dpr=1 600w, https://images.theconversation.com/files/467328/original/file-20220607-12-61cmu0.jpg?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=600&amp;h=450&amp;fit=crop&amp;dpr=2 1200w, https://images.theconversation.com/files/467328/original/file-20220607-12-61cmu0.jpg?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=600&amp;h=450&amp;fit=crop&amp;dpr=3 1800w, https://images.theconversation.com/files/467328/original/file-20220607-12-61cmu0.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;h=566&amp;fit=crop&amp;dpr=1 754w, https://images.theconversation.com/files/467328/original/file-20220607-12-61cmu0.jpg?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=754&amp;h=566&amp;fit=crop&amp;dpr=2 1508w, https://images.theconversation.com/files/467328/original/file-20220607-12-61cmu0.jpg?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=754&amp;h=566&amp;fit=crop&amp;dpr=3 2262w" alt="bushfoods found on YBM country" /></a><figcaption><em><span class="caption">The timing of when some bushfoods appear is changing.</span> <span class="attribution"><span class="license">Author provided</span></span></em></figcaption></figure> <p>These climate-linked changes challenge existing bodies of traditional knowledge, altering connections between different species, ecosystems and weather patterns across Land and Sea Country.</p> <p>A key part of this process was developing a mutually beneficial partnership between traditional ecological knowledge holders and western scientists. It was critical to establish a relationship built on trust and respect.</p> <p>Walking the country first – seeing rivers, mangroves, beaches, headlands, bush, wetlands, and looking out at Sea Country – helped researchers understand the perspectives of Traditional Owners. Honouring experience and knowledge (especially that held by Elders and Indigenous rangers) was important. Indigenous cultural and intellectual property <a href="https://www.artslaw.com.au/information-sheet/indigenous-cultural-intellectual-property-icip-aitb/" target="_blank" rel="noopener">protocols</a> were recognised and respected throughout the assessment.</p> <p><a href="https://www.un.org/development/desa/indigenouspeoples/wp-content/uploads/sites/19/2018/11/UNDRIP_E_web.pdf" target="_blank" rel="noopener">Respecting</a> and working collaboratively with Traditional Owners as expert scientists in their own knowledge system was critical for success. Any effort to incorporate traditional ecological knowledge in climate change assessments must protect sensitive traditional knowledge.</p> <p>As climate change will continue and accelerate, we must work together to minimise resulting impacts on the cultural heritage of First Nations peoples.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/183229/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /></p> <p><em><a href="https://theconversation.com/profiles/karin-gerhardt-1350288" target="_blank" rel="noopener">Karin Gerhardt</a>, PhD student, <a href="https://theconversation.com/institutions/james-cook-university-1167" target="_blank" rel="noopener">James Cook University</a>; <a href="https://theconversation.com/profiles/jon-c-day-142416" target="_blank" rel="noopener">Jon C. Day</a>, PSM, Adjunct Senior Research Fellow, ARC Centre of Excellence for Coral Reef Studies, <a href="https://theconversation.com/institutions/james-cook-university-1167" target="_blank" rel="noopener">James Cook University</a>; <a href="https://theconversation.com/profiles/larissa-hale-1346434" target="_blank" rel="noopener">Larissa Hale</a>, Yuku Baja Muliku Traditional Owner, <a href="https://theconversation.com/institutions/indigenous-knowledge-4846" target="_blank" rel="noopener">Indigenous Knowledge</a>, and <a href="https://theconversation.com/profiles/scott-f-heron-256521" target="_blank" rel="noopener">Scott F. Heron</a>, Associate Professor in Physics, <a href="https://theconversation.com/institutions/james-cook-university-1167" target="_blank" rel="noopener">James Cook University</a></em></p> <p><em>This article is republished from <a href="https://theconversation.com" target="_blank" rel="noopener">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/shifting-seasons-using-indigenous-knowledge-and-western-science-to-help-address-climate-change-impacts-183229" target="_blank" rel="noopener">original article</a>.</em></p> <p><em>Image: </em><em>Yuku Baja Muliku Land and Sea Rangers (Facebook)</em></p>

Domestic Travel

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Curious detail about flag in Top Gun: Maverick

<p dir="ltr">Moviegoers in Taiwan applauded an advanced screening of <em>Top Gun: Maverick</em> when Tom Cruise’s character came on screen wearing a jacket showing their flag.</p> <p dir="ltr">The Hollywood actor hits the screen in his bomber jacket which features patches of the flags from Taiwan, Japan and the United States, along with a United Nations symbol.</p> <p dir="ltr">When the trailer was released back in 2019, Cruise’s character Captain Pete “Maverick” Mitchell was wearing a jacket but this time the Taiwan flag appeared to be missing.</p> <p dir="ltr">The glaring omission of the Taiwanese flag sparked criticism that Hollywood was appeasing China. </p> <p dir="ltr">The Taiwanese flag has long been a political eyesore for Beijing, which claims sovereignty over the island and considers it to be Chinese territory under the “one China principle”.</p> <p dir="ltr">Taiwan however has continued to fight against being considered Chinese territory and to be recognised as independent. </p> <p dir="ltr">There are now rumours swirling that <em>Top Gun: Maverick</em> won’t be shown in China due to the representation of the Taiwan flag.</p> <p dir="ltr">“Hollywood is now pushing back,” Chris Fenton, a former movie executive who wrote a book about Hollywood and Chinese censors, told Bloomberg. </p> <p dir="ltr">“The market is simply not worth the aggravation anymore in attempting to please Chinese censors.”</p> <p dir="ltr"><em>Image: Twitter</em></p>

Movies

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Sydney icon to be returned to Aboriginal owners

<p dir="ltr">A historic decision has been made to return one of Sydney harbour's iconic landmarks to its Indigenous custodians.</p> <p dir="ltr">The NSW government has begun the official transfer process for Me-Mel Island - also known as Goat Island - which will be accompanied by a nearly $43 million revitalisation of the island.</p> <p dir="ltr">NSW Premier Dominic Perrottet described the achievement as a “personal priority”.</p> <p dir="ltr">“Returning Me-Mel to the Aboriginal community is the right thing to do, and it helps deliver on my commitment of improving outcomes and opportunities for Aboriginal people across all parts of Government,” he said.</p> <p><span id="docs-internal-guid-884d2a08-7fff-393c-0609-2d285d9a3db1"></span></p> <p dir="ltr">“A big part of my commitment is ensuring the island is remediated before it’s transferred to the Aboriginal community.”</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">Me-mel (Eora): Bennelong's island; little green space in the sea. <a href="https://t.co/HZFslBCkyH">pic.twitter.com/HZFslBCkyH</a></p> <p>— Carolyn R Galbraith (@CarolynRGalb) <a href="https://twitter.com/CarolynRGalb/status/1530773156536852481?ref_src=twsrc%5Etfw">May 29, 2022</a></p></blockquote> <p dir="ltr">This remediation, included in the $42.9 million package spread over the next four years, will cover various works such as repairing seawalls and buildings, improving water and sewer services, adn removing contaminants like asbestos, according to <em><a href="https://www.news.com.au/travel/travel-updates/43m-move-to-return-memel-island-to-aboriginal-hands/news-story/b28de6cc4bc21003aec0e5a801c362b9" target="_blank" rel="noopener">news.com.au</a></em>.</p> <p dir="ltr">Me-Mel Island is the biggest in Sydney Harbour and lies north-west of the CBD.</p> <p dir="ltr">The State Heritage-listed island is known for its rich Aboriginal heritage, as well as being home to more than 30 buildings and structures from the 1830s to 1960s.</p> <p dir="ltr">Once inhabited by Wangal man Bennelong and Cammeraigal woman Barangaroo, Bennelong said he inherited it from his father who was born on Me-Mel according to colonial documents.</p> <p dir="ltr"><span id="docs-internal-guid-9e769c3e-7fff-5f05-09d0-f67c7b488a4d"></span></p> <p dir="ltr">The transfer was first promised during the 2015 election by the NSW Labor Party - who lost to the Liberal Party that year - before officially commencing under the Liberals seven years later.</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">I welcome the announcement today by <a href="https://twitter.com/Dom_Perrottet?ref_src=twsrc%5Etfw">@Dom_Perrottet</a> of $43m for restoration work on ME-MEL <a href="https://twitter.com/hashtag/goatisland?src=hash&amp;ref_src=twsrc%5Etfw">#goatisland</a> prior to this historic land being returned to the Aboriginal community in 2026 <a href="https://twitter.com/hashtag/alwayswasalwayswillbeaboriginalland?src=hash&amp;ref_src=twsrc%5Etfw">#alwayswasalwayswillbeaboriginalland</a> <a href="https://t.co/Xe3ySXOINf">pic.twitter.com/Xe3ySXOINf</a></p> <p>— Councillor Yvonne Weldon (@ypweldon) <a href="https://twitter.com/ypweldon/status/1530860098515783682?ref_src=twsrc%5Etfw">May 29, 2022</a></p></blockquote> <p dir="ltr">Though it has been a long time coming, the decision has been welcomed by Yvonne Weldon, the Deputy Chair of the Metropolitan Local Aboriginal Land Council, who said the transfer will help heal and progress Indigenous issues.</p> <p dir="ltr">“Me-Mel is a place where we can go to be within our culture, pass culture on to our younger generations and share with other people,” she said.</p> <p dir="ltr">Until the transfer, the island will continue to be managed by the National Parks and Wildlife Service (NPWS), which is calling for <a href="https://www.environment.nsw.gov.au/topics/parks-reserves-and-protected-areas/park-management/community-engagement/sydney-harbour-national-park/me-mel-goat-island" target="_blank" rel="noopener">expressions of interest</a> for the Me-Mel Transfer Committee.</p> <p dir="ltr">Aboriginal Affairs Minister Ben Franklin said this committee, with advice from legal, heritage, planning and governance experts, will develop a business case and plan for future ownership and management of the island.</p> <p dir="ltr">“The Me-Mel Transfer Committee includes Aboriginal people and NSW government representatives, and importantly, its establishment is supported by the Metropolitan Local Aboriginal Land Council,” Mr Franklin said.</p> <p dir="ltr">Nominations for this committee are open until close of business on June 27.</p> <p dir="ltr"><span id="docs-internal-guid-4bd3246b-7fff-8211-0ee4-0e09959bc419"></span></p> <p dir="ltr"><em>Image: Office of Environment and Heritage (Flickr)</em></p>

Real Estate

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Blak Douglas becomes second ever Indigenous Archibald Prize winner

<p dir="ltr">Western Sydney artist Blak Douglas has won the 2022 Archibald Prize, taking home $100,000 along with the coveted title. </p> <p dir="ltr">The self-taught 52-year-old artist has become the second Indigenous artist to win the prize in its 101 years for his portrait of Wiradjuri artist Karla Dickens.</p> <p dir="ltr">The 2022 competition was Douglas' fifth time as an Archibald finalist, and accepting the prize at the Art Gallery of NSW ceremony, he said: "This painting represents 20 years of taking the risk of pursuing a dream [and] surrendering normalised employment. And I'm sure many of my artist colleagues can relate to that."</p> <p dir="ltr">His winning portrait depicts Karla Dickens, who he describes as a “legendary practitioner”, knee-deep in the muddy floodwaters of her hometown in Lismore, Bundjalung Country — holding a leaking pail of water in each hand, and looking grumpy.</p> <p dir="ltr">His painting reflects on the damage and after-effects of the devastating February and March floods in the Northern Rivers.</p> <p dir="ltr">"I've been up there [to Bundjalung Country] several times; it's a war zone," Douglas told <a href="https://www.abc.net.au/news/2022-05-13/archibald-prize-2022-winner-blak-douglas-karla-dickens/101060204">ABC News</a>.</p> <p dir="ltr">"And so to be able to further aid some of my dearest, closest friends up there, through this win — not only metaphorically, but also financially — it's a big plus."</p> <p dir="ltr">Speaking via live video link from her home during the ceremony, Karla Dickens said she was "over the moon", and thanked her friend for "acknowledging everybody up here on Bundjalung Country that has gone through so much".</p> <p dir="ltr">"I'm so proud of you, Adam. Such a killer painting," she added.</p> <p dir="ltr"><em>Image credits: Getty Images</em></p>

Art

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Red flags for property buyers considering buying off the plan

<p dir="ltr">Property buyers have been warned of the hidden dangers that come with buying an apartment off the plan. </p> <p dir="ltr">Potential home seekers have been alerted to avoid buying cheap, cookie cutter units that are typically sold off the plan. </p> <p dir="ltr">Michelle May, the Principal of Michelle May Buyers Agents, said some cheaper units sold off the plan were risky purchases because too many corners may have been cut to keep costs down.</p> <p dir="ltr">Prospective buyers must remember that when buying off the plan, you are investing the future of the whole building, not just your chosen apartment. </p> <p dir="ltr">“Developers are in it to make money, pure and simple. Unfortunately, this can lead to cutting costs (and often corners) wherever possible to increase their return,” Ms May said.</p> <p dir="ltr">“You only have to look at two recent stories, Opal Tower in Olympic Park and the more recent Mascot Towers, to see how bad things can go for residents when the building hasn’t been built, inspected or appropriately certified.”</p> <p dir="ltr">Speaking to The Daily Telegraph, Ms May said buyers had less confidence as a result of rising interest rates and the ongoing election campaign taking away their attention from the property market.</p> <p dir="ltr">She went on to say that buyers of units off the plan would struggle to earn back their money if they had to sell in the future. </p> <p dir="ltr">“People buying apartments off the plan usually think it’s cheaper and go for the lowest price. The reality is that the quality build of these newer off-the-plan apartments just isn’t good.”</p> <p dir="ltr">“Visually it might look okay, but a lot of these new apartments aren’t built to stand the test of time. A lot of people who I’ve spoken with often complain about the noise they hear between the walls or the high turnover of other tenants.”</p> <p dir="ltr">“If you’re considering buying new or off the plan, make sure you work with a specialist property lawyer, not just your run-of-the-mill conveyancer. The lawyer will help you understand the many ins and outs of the contract, so you know exactly where you stand.”</p> <p dir="ltr"><em>Image credits: Getty Images</em></p>

Real Estate

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Satellites interfere with Indigenous astronomy

<p>Since time immemorial, Indigenous peoples worldwide have observed, tracked and memorised all the visible objects in the night sky.</p> <p>This ancient star knowledge was meticulously ingrained with practical knowledge of the land, sky, waters, community and the Dreaming — and passed down through generations.</p> <p>One of the most well-known and celebrated Aboriginal constellations is the Emu in the Sky, which appears in the southern sky early in the year. It is an example of a dark constellation, which means it’s characterised by particularly dark patches in the sky, rather than stars.</p> <p>Conversely, space technology companies such as Starlink are increasingly competing to dominate the skies, and potentially change them forever.</p> <p>The modern-day space race has led to thousands of satellites being scattered through Earth’s outer orbits. If left unchallenged, these companies risk overpopulating an already crowded space environment – potentially pushing dark skies to extinction.</p> <p><strong>Mega-constellations</strong></p> <p>Mega-constellations are groupings of satellites that communicate and work together as they orbit Earth.</p> <p>Since 2018, the Starlink project, run by Elon Musk’s SpaceX, has launched about 1,700 satellites into low Earth orbit. The company plans to launch another <a href="https://www.cnbc.com/2021/08/19/spacex-starlink-satellite-internet-new-capabilities-starship-launch.html" target="_blank" rel="noopener">30,000 over the next decade</a>.</p> <p>British company OneWeb has launched nearly 150 satellites, with plans <a href="https://www.spaceconnectonline.com.au/launch/5111-oneweb-to-deploy-over-half-its-constellation-satellites-this-month" target="_blank" rel="noopener">for another 6,000</a>. And Amazon intends to launch an additional <a href="https://www.cnbc.com/2021/11/01/amazons-project-kuiper-launching-first-internet-satellites-in-q4-2022.html" target="_blank" rel="noopener">3,000 satellites</a> into multiple orbits.</p> <figure class="align-center "><em><img src="https://images.theconversation.com/files/458059/original/file-20220414-20-rmk6kw.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/458059/original/file-20220414-20-rmk6kw.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=600&amp;h=337&amp;fit=crop&amp;dpr=1 600w, https://images.theconversation.com/files/458059/original/file-20220414-20-rmk6kw.jpg?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=600&amp;h=337&amp;fit=crop&amp;dpr=2 1200w, https://images.theconversation.com/files/458059/original/file-20220414-20-rmk6kw.jpg?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=600&amp;h=337&amp;fit=crop&amp;dpr=3 1800w, https://images.theconversation.com/files/458059/original/file-20220414-20-rmk6kw.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;h=424&amp;fit=crop&amp;dpr=1 754w, https://images.theconversation.com/files/458059/original/file-20220414-20-rmk6kw.jpg?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=754&amp;h=424&amp;fit=crop&amp;dpr=2 1508w, https://images.theconversation.com/files/458059/original/file-20220414-20-rmk6kw.jpg?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=754&amp;h=424&amp;fit=crop&amp;dpr=3 2262w" alt="A satellite hovering in orbit above Earth." /></em><figcaption><em><span class="caption">A growing number of Starlink satellites can be found in low orbit around Earth.</span> <span class="attribution"><a class="source" href="https://www.shutterstock.com/image-illustration/minsk-minskiy-district-belarus-19-january-2110892792" target="_blank" rel="noopener">Shutterstock</a></span></em></figcaption></figure> <p>Each of these companies is taking to the skies to increase internet access across the globe. But even if they deliver on this, sky gazers — and especially Indigenous peoples — are left to wonder: at what cost?</p> <p><strong>Streaks in the night</strong></p> <p>People across the globe began noticing streaks across our skies not long after the first Starlink launch in May 2019. They were unlike anything anyone had seen before.</p> <p>Astronomers are very used to viewing the sky and dealing with interference, often originating from aircraft or the occasional satellite. However, the goal of mega-constellations is to engulf the entire planet, <a href="https://spacenews.com/spacex-launches-another-set-of-starlink-satellites-as-it-nears-global-coverage/" target="_blank" rel="noopener">leaving no place untouched</a>. Mega-constellations alter our collective view of the stars. And there is currently no known way to remove them.</p> <p>One mega-constellation has been observed to <a href="https://www.vox.com/science-and-health/2020/1/7/21003272/space-x-starlink-astronomy-light-pollution" target="_blank" rel="noopener">produce up to 19 parallel streaks</a> across the sky. These streaks disturb astronomical observations, and a significant amount of scientific data can be lost as a result.</p> <figure class="align-center "><img src="https://images.theconversation.com/files/458060/original/file-20220414-17-8ym1fy.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/458060/original/file-20220414-17-8ym1fy.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=600&amp;h=400&amp;fit=crop&amp;dpr=1 600w, https://images.theconversation.com/files/458060/original/file-20220414-17-8ym1fy.jpg?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=600&amp;h=400&amp;fit=crop&amp;dpr=2 1200w, https://images.theconversation.com/files/458060/original/file-20220414-17-8ym1fy.jpg?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=600&amp;h=400&amp;fit=crop&amp;dpr=3 1800w, https://images.theconversation.com/files/458060/original/file-20220414-17-8ym1fy.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;h=503&amp;fit=crop&amp;dpr=1 754w, https://images.theconversation.com/files/458060/original/file-20220414-17-8ym1fy.jpg?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=754&amp;h=503&amp;fit=crop&amp;dpr=2 1508w, https://images.theconversation.com/files/458060/original/file-20220414-17-8ym1fy.jpg?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=754&amp;h=503&amp;fit=crop&amp;dpr=3 2262w" alt="Satellites leaving streaks in the night sky." /><figcaption><em><span class="caption">Satellites can leave streaks in the night sky.</span> <span class="attribution"><a class="source" href="https://www.shutterstock.com/image-photo/starlink-satellites-summer-night-sky-1753118759" target="_blank" rel="noopener">Shutterstock</a></span></em></figcaption></figure> <p>As they travel across the entire sky, scattering the Sun’s light, dark constellations become even fainter — further desecrating Indigenous knowledge and kinship with the environment.</p> <p><a href="https://academic.oup.com/mnrasl/article/504/1/L40/6188393" target="_blank" rel="noopener">Further research</a> on the impacts of mega-constellations have found that as they orbit Earth, the Sun’s rays are reflected off them and scattered into the atmosphere.</p> <p>The authors of that study conclude we are collectively experiencing a new type of “skyglow” as a result: a phenomenon in which the brightness of the sky increases due to human-made light pollution.</p> <p>Initial calculations indicate this new source of light pollution has increased the brightness of night skies globally by about 10%, compared with the natural skyglow measured in the 1960s.</p> <p>Currently, the upper limit of light pollution tolerable at observatories <a href="https://www-cambridge-org.virtual.anu.edu.au/core/journals/transactions-of-the-international-astronomical-union/article/commission-50-identification-and-protection-of-existing-or-potential-observatory-sites-identification-et-protection-des-sites-dobservatoires-existants-ou-potentiels/5483EC52C57F73B2246AF593513A2D9D" target="_blank" rel="noopener">is 10% above the natural skyglow</a>, which suggests we have already reached the limit.</p> <p>In other words, scientific observations of the sky are already at risk of being rendered redundant. If this excess skyglow increases even more, observatories are at serious risk.</p> <p><strong>Indigenous sky sovereignty</strong></p> <p>Indigenous knowledge systems and oral traditions teach us about the intricate and complex relationships Indigenous peoples have with the environment, including the sky.</p> <p>For example, many Aboriginal and Torres Strait Islander cultures have no concept of “outer space”. They only have a continuous and connected reality where coexistence with all things is paramount.</p> <p>As captured by the <a href="https://www.sciencedirect.com/science/article/abs/pii/S0962629818304086?via%3Dihub" target="_blank" rel="noopener">Bawaka Country</a> group, based in northeast Arnhem Land:</p> <blockquote> <p>…to hurt Sky Country, to try and possess it, is an ongoing colonisation of the plural lifeworlds of all those who have ongoing connections with and beyond the sky.</p> </blockquote> <p>Desecrating the sky impacts Indigenous sovereignty as it limits access to their knowledge system, in the same ways desecrating the land has removed First Peoples from their countries, cultures and ways of life.</p> <p>For example, the Gamilaraay and Wiradjuri peoples of New South Wales observe the Emu in the Sky to gauge when it is time to hunt for emu eggs — and most importantly, when it is time to stop. How would the Gamilaraay know when to stop collecting eggs, or when to conduct annual ceremonies signalled by the Celestial Emu, if it was no longer visible?</p> <p>Similarly, important parts of the Jukurrpa, or Dreaming of the Martu people of Western Australia is embedded in the Seven Sisters constellation. How would they keep this knowledge safe if they can’t locate any of the Sisters?</p> <p>Indigenous histories teach us about the devastating consequences of colonialism, and how the impacts of the colonial agenda can be mitigated through prioritising the health of country and community.</p> <p>In the words of <a href="https://www.nature.com/articles/s41550-020-01238-3" target="_blank" rel="noopener">astronomer Aparna Venkatesan and colleagues</a>:</p> <blockquote> <p>…the manner and pace of ‘occupying’ near-Earth space raise the risk of repeating the mistakes of colonisation on a cosmic scale.</p> </blockquote> <p>Active Indigenous sky sovereignty acknowledges the interconnected nature between land and sky, and that caring for country includes sky country. By doing so, it challenges <a href="https://digitalrepository.unm.edu/amst_etds/81/" target="_blank" rel="noopener">the otherwise unimpeded authority</a> of technology corporations.</p> <p><strong>Harming fauna, harming ourselves</strong></p> <p>By understanding that the world (and indeed the Universe) is interconnected, we see that no living creature is immune to the consequences of polluting the skies.</p> <p>Currently, native fauna such as the tammar wallaby, magpie, bogong moth and marine turtles are experiencing a <a href="https://www.awe.gov.au/sites/default/files/documents/national-light-pollution-guidelines-wildlife.pdf" target="_blank" rel="noopener">reduction in populations and quality of life</a> due to the impacts of light-pollution.</p> <figure class="align-center "><em><img src="https://images.theconversation.com/files/458063/original/file-20220414-30327-7xnlx8.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/458063/original/file-20220414-30327-7xnlx8.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=600&amp;h=400&amp;fit=crop&amp;dpr=1 600w, https://images.theconversation.com/files/458063/original/file-20220414-30327-7xnlx8.jpg?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=600&amp;h=400&amp;fit=crop&amp;dpr=2 1200w, https://images.theconversation.com/files/458063/original/file-20220414-30327-7xnlx8.jpg?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=600&amp;h=400&amp;fit=crop&amp;dpr=3 1800w, https://images.theconversation.com/files/458063/original/file-20220414-30327-7xnlx8.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;h=503&amp;fit=crop&amp;dpr=1 754w, https://images.theconversation.com/files/458063/original/file-20220414-30327-7xnlx8.jpg?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=754&amp;h=503&amp;fit=crop&amp;dpr=2 1508w, https://images.theconversation.com/files/458063/original/file-20220414-30327-7xnlx8.jpg?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=754&amp;h=503&amp;fit=crop&amp;dpr=3 2262w" alt="A tammar wallaby with young in its pouch." /></em><figcaption><em><span class="caption">The tammar wallaby is just one Australian species affected by light pollution.</span> <span class="attribution"><a class="source" href="https://www.shutterstock.com/image-photo/wallaby-young-animal-pouch-undergrowth-1840354798" target="_blank" rel="noopener">Shutterstock</a></span></em></figcaption></figure> <p>Migratory species are particularly affected by light pollution, which can result in them losing access to their migratory route. This is a crisis Australia’s fauna has faced since before the introduction of mega-constellations.</p> <p>With more skyglow and light pollution, positive outcomes for native fauna and migratory species diminish.</p> <p><strong>Going forward</strong></p> <p>Several companies have made attempts to reduce the impact of mega-constellations on skyglow.</p> <p>For example, OneWeb has opted to rollout fewer satellites than initially proposed, and has designed them to be positioned at a higher altitude. This means <a href="https://arxiv.org/ftp/arxiv/papers/2012/2012.05100.pdf" target="_blank" rel="noopener">they will produce less skyglow</a>, while also covering a larger area.</p> <p>Starlink, on the other hand, has not shown any public interest in operating at higher and less impactful altitudes, for fears it will <a href="https://arstechnica.com/tech-policy/2021/04/fcc-lets-spacex-cut-satellite-altitude-to-improve-starlink-speed-and-latency/" target="_blank" rel="noopener">impact the Starlink network’s speed and latency.</a></p> <p>That said, they have attempted to reduce their satellites’ luminosity by painting them with a novel anti-reflective coating. Coating techniques have demonstrated a reduction in reflected sunlight by up to 50%. Unfortunately, not all wavelengths of <a href="https://arxiv.org/abs/2010.04655" target="_blank" rel="noopener">light being scattered are reduced using this method</a>. So multi-wave astronomy, and different species of animals, are still at risk.</p> <p>We’ll need more solutions to navigate our increasingly polluted atmosphere, particularly if communication monopolies continue to rein over near-Earth space.</p> <p>Just as some companies have started considering tactics to avoid increasing skyglow, all space tech companies must be held responsible for adding to an already polluted space.</p> <p>Guidelines such as those set by the Inter-Agency Space Debris Coordination Committee offer solutions to this problem. They suggest lowering the height of a satellite’s orbit when it’s no longer needed, <a href="https://www.nature.com/articles/d41586-018-06170-1" target="_blank" rel="noopener">allowing it to disintegrate as it falls</a> down to Earth.</p> <p>However, these are international guidelines, so there’s no legal framework to enforce such practices.</p> <p>And given that near-miss collisions have already <a href="https://techcrunch.com/2019/09/03/near-miss-between-science-craft-and-starlink-satellite-shows-need-to-improve-orbital-coordination/" target="_blank" rel="noopener">taken place between some mega-constellations</a>, and an estimated 20,000 pieces of space debris already floating above, reducing orbital pollution must also now be a priority.</p> <p>Reducing air pollutants has also been shown to drastically <a href="https://doi.org/10.1093/mnrasl/slab030" target="_blank" rel="noopener">decrease natural sky brightness</a>, offering a potential solution for improving night sky visibility — not to mention cleaner breathing air for all.</p> <p>In valuing Indigenous knowledge systems, that value must be extended to the natural environment in which that knowledge is embedded and founded upon. In Australia, preserving dark skies is not just vital for the continuation of Indigenous knowledge and astronomers — it benefits us all.</p> <p>A major tenet of life for Indigenous peoples is valuing the sustainability of one’s actions. By adopting this at a larger scale, we could create a reality in which we’re not a threat to our own survival.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/173840/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /></p> <p><em><a href="https://theconversation.com/profiles/karlie-noon-1310291" target="_blank" rel="noopener">Karlie Noon</a>, Astronomer, <a href="https://theconversation.com/institutions/australian-national-university-877" target="_blank" rel="noopener">Australian National University</a></em></p> <p><em>This article is republished from <a href="https://theconversation.com" target="_blank" rel="noopener">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/thousands-of-satellites-are-polluting-australian-skies-and-threatening-ancient-indigenous-astronomy-practices-173840" target="_blank" rel="noopener">original article</a>.</em></p> <p><em>Image: Getty Images</em></p>

Domestic Travel

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Furore erupts after RSL member refuses to allow Indigenous flag at ANZAC service

<p dir="ltr">A NSW woman had the police called on her after she attempted to drape an Indigenous flag honouring First Nations diggers at her local war memorial service in Lismore.</p> <p dir="ltr">Cindy Roberts tried to display her flag beneath the Australian flag before the service began, but a local RSL member allegedly stopped her twice and called the police, according to the <em><a href="https://www.dailymail.co.uk/news/article-10753649/Anzac-Day-2022-fury-memorial-service-hit-row-Indigenous-flag.html" target="_blank" rel="noopener">Daily Mail</a></em>.</p> <p dir="ltr">The incident has sparked outrage among those in attendance and online, with former Lismore mayor Jenny Dowell describing it as a “huge overreaction”.</p> <p dir="ltr">“It wasn’t a huge protest in any way and was absolutely done respectfully,” she said.</p> <p dir="ltr">“It was embarrassing and awkward and it should have just been allowed to pass without the fuss from the RSL member.”</p> <p dir="ltr">Ms Roberts, whose daughter, grandparents and uncles have served in Australia’s armed forces, had taken part in the dawn service and the march to Lismore Memorial Baths for the ceremony.</p> <p dir="ltr">When she arrived, the only flag flying was the Australian flag, despite other venues displaying the Aboriginal, Australian, and Torres Strait Islander flags side by side.</p> <p dir="ltr">“I just wanted to remember my ancestors that had fought in every single war, including the frontier war,” she told <em>Daily Mail Australia</em>.</p> <p dir="ltr">“So I stood and I felt a spirit in my heart tell me to just lay the flag out. I didn’t put it on the flagpole, I just placed it on the ground underneath the Australian flag.</p> <p dir="ltr">“Then I was approached by a member from the RSL and asked to remove the flag.</p> <p dir="ltr">“I said, ‘But my grandfathers and my uncles and my ancestors fought in the wars of this country’. He said, ‘This is not the time or the place’.”</p> <p dir="ltr">“I thought, ‘Well, when is the time to bring unity?’”</p> <p dir="ltr">Ms Roberts said she then picked the flag up and went to the spot where the wreaths were laid, where she was confronted again.</p> <p dir="ltr">“Then (the RSL member) approached me again and told me to remove the flag again and with the police this time,” she continued.</p> <p dir="ltr">“When this happened, I cried. I broke down and everyone saw me but I still stood there in the crowd behind the children with the Aboriginal flag.”</p> <p dir="ltr">Ms Robert’s daughter Skye, who served as a ship technician in the Australian Navy for five years, was with her mother when the incident occurred.</p> <p dir="ltr">Celebrated Indigenous soldier Clarrie Combo, who fought for Australia in Egypt, Libya, Crete, Syria, Greece, Sri Lanka and New Guinea during WWII, was one of Ms Roberts’ great uncles.</p> <p dir="ltr">“Our people have been through so much and I’m tired of them not being acknowledged,” Ms Roberts said.</p> <p dir="ltr">“First Nations people who fought in these wars deserve more respect because they put their lives on the line.”</p> <p dir="ltr">Ms Dowell said she tried to reason with the RSL member and that she couldn’t understand why they were treating Ms Roberts.</p> <p dir="ltr">“I saw the reaction from a member of the RSL who was saying repeatedly, it’s not appropriate, it’s not appropriate,” she told the publication.</p> <p dir="ltr">“I didn’t quite know what was not appropriate. I thought it was very disappointing - and not one speaker in the whole ceremony even acknowledged country.</p> <p dir="ltr">“I thought that was poor. The situation could have easily have escalated if Cindy had chosen to do so but she didn’t and many there may not have even noticed.</p> <p dir="ltr">“I thought she was very respectful and hopefully we can all learn from this incident - and that it doesn’t happen again.”</p> <p dir="ltr">The incident caused intense debate in the town’s Facebook group, with many supporting Ms Roberts.</p> <p dir="ltr">“To the beautiful Indigenous woman advocating to raise the Indigenous flag today at the service following the march, I am beyond apologetic for the utter disrespect you were shown,” one local wrote.</p> <p dir="ltr">Others insisted that the Australian flag should cover everyone since soldiers all fought under it in wartime.</p> <p dir="ltr">“They fought under the Australian flag. We are all Australians,” one person said.</p> <p><span id="docs-internal-guid-596180ea-7fff-cebf-ca7d-1e543ffdf614"></span></p> <p dir="ltr"><em>Image: Daily Mail</em></p>

Caring